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Lighton Family Papers

Correspondence, photographs, manuscripts, and other papers (1828-1987)

Manuscript Collection MC 779

• Information about the Lighton Family
• Information about the Collection (Restrictions apply.)
• Contents of Collection (31 containers)
  • Series 1. Correspondence. Boxes 1-7.
  • Series 2. William Rheem Lighton. Boxes 8-13.
  • Series 3. Laura McMaken Lighton. Box 14.
  • Series 4. Louis Duryea (Bud) Lighton. Boxes 15-17.
  • Series 5. Suzanne Chalfant (Peggy Sue) Lighton. Boxes 18-19.
  • Series 6. Marjorie (Betty) Lighton. Boxes 20-23.
  • Series 7. Dorothy Lighton, Laura McMaken Lighton's extended family, and friends of the Lightons. Box 24.
  • Series 8. Photographs. Boxes 25-28.
  • Series 9. William Lighton's works, scrapbooks, albums, and other books. Boxes 29-30, Volumes 1-41.

THE LIGHTON FAMILY

The Lightons came to Fayetteville, Arkansas, in 1908 and built Happy Hollow Farm. An article ("The Story of an Arkansas Farm," Saturday Evening Post, 22 January 1910) and later a book about the farm (Happy Hollow Farm, New York: George H. Doran Company, 1914) made W. R. Lighton and Fayetteville famous. Although the family sold Happy Hollow Farm and moved to California around 1919, the women of the family later returned to Fayetteville, and all became prominent in the community. Laura Lighton and Suzanne Chalfant (Peggy Sue) Lighton were active in various local groups and the collection includes papers pertaining to their activities in such organizations as the Perennial Garden Club, the City Library, the Friday Social Club, the Arkansas Bar Association, the Washington County Bar Association, the Arkansas Democratic Women's Club, the League of Women Voters, and the American Red Cross. See series and subseries descriptions for further details on individual family members.

THE COLLECTION

Most of the papers were collected and saved by daughters Suzanne and Betty. Included are materials pertaining to their extended family, in particular, Dorothy Lighton's children and grandchildren and Laura McMaken's father, Andrew Campbell McMaken. These include papers pertaining to Andrew McMaken's Civil War service; see Series 7 description for details. Also included are some materials pertaining to close friends Lee Seamster (a Fayetteville judge, later member of the Arkansas Supreme Court, and Suzanne Lighton's legal mentor) and Henry Tovey (music professor at the University of Arkansas).

RESTRICTIONS APPLY. Certain legal and business records are restricted until the year 2038. Original patient and personnel records and correspondence concerning patients and personnel are restricted; in some cases photocopies, with names obliterated, are provided for research use. Negatives are restricted.

Processed by Nan Lawler, June 1990. Special Collections Division, University of Arkansas Libraries, Fayetteville, Arkansas.

Series 1. Correspondence. Boxes 1- 7.

• General information about the correspondence.
• Subseries 1. 1828-1890.
• Subseries 2. 1890-1914.
• Subseries 3. 1916-1918.
• Subseries 4. 1919-1941.
• Subseries 5. 1941-1945.
• Subseries 6. 1945-1987.

The family was split much of the time. Willam Lighton courted Laura McMaken largely through his letters, and after their marriage (8 April 1890 in Atchison, Kansas) he traveled extensively to support the family. During Laura Lighton's confinement with their daughter Suzanne, the two older children stayed with their aunt and corresponded almost daily. Son Louis Duryea (Bud) went to New Mexico in 1916 to gather material (like most of the Lightons, he wanted to be a writer), then joined the Army, where he trained as a pilot, though World War I ended before his training was complete. Daughter Suzanne (also called Peggy Sue) went to Los Angeles after graduation from the University of Arkansas, hoping to become a newspaper reporter. Daughter Marjorie (Betty) joined the Red Cross during World War II, serving in various camps and hospitals.

Many letters are incompletely dated. Dates that can be assumed from incomplete dates, postmarks, or contents of letters are shown in brackets.

Subseries 1. 1828-1890.

Box 1

1. 23 May 1828 - 12 Nov 1880.
2. 9 Aug - 9 Oct 1889.
3. 11 Oct - 1 Nov 1889.
4. 13 Nov - 19 Nov 1889.
5. [22 Nov 1889] - 8 Oct [1889].
6. 12 Jan - [12 and 13 Feb 1890.]
7. 18 Feb - 23 Feb 1890.
8. 25 Feb - 2 Mar 1890.
9. 3 Mar - 5 Mar 1890, n.d.

Subseries 2. 1890-1914.

Box 2

1. 27 Mar - 7 Apr 1890.
2. 7 Apr - 29 Apr 1890.
3. 1 Mar - 7 Oct 1891.
4. 12 Oct - 12 Dec 1891.
5. 8 Feb 1892 - 25 Sept 1893.
6. 29 Sept 1893 - 5 Nov 1894.
7. 7, 8, and 10 Oct 1895 - [Dec 1895.]
8. 16 Dec [1895] - 16 Oct 1901.
9. 14 Jan 1902 - 18 July 1905.
10. [18 July 1905] - 22 July 1905.
11. [23 July 1905] - [26 July 1905].
12. [26 July 1905] - 4 Aug [1905].
13. 8 Aug [1905] - 3 Mar 1912, n.d.
14. 16 Nov 1912 - 24 Dec 1914.

Subseries 3. 1916-1918.

Box 3

1. [Apr 1916], n.d.
2. [1916].
3. 1916.
4. [May 1917] - [12 June 1917], n.d.
5. 12 May 1918 - 24 Sept 1918, n.d.
6. 26 Sept 1918 - [1 Oct 1916], n.d.
7. 1 - 17 Nov 1918, n.d.
8. [17 Nov - 28 Nov 1918].

Subseries 4. 1919-1941.

Box 4

1. 1919-1920.
2. December 1921 - 12 Jan 1926.
3. 14 Feb 1927 -1928.
4. [21 Dec 1929] - 13 Feb 1936.
5. [21 Dec 1936] - [20 Dec 1938].
6. 3 Mar 1939 - [28 Apr 1941].
7. [Spring, 1941] - 20 Oct 1941.

Subseries 5. 1941-1945.

Box 5

1. [Dec 1941] - [Aug 1942].
2. [20 Dec 1942] - 21 Feb 1943.
3. [23 Apr 1943] - 6 May 1943.
4. 8 May [1943] -[15 June 1943].
5. [19 June 1943] - 29 July 1943.
6. [28 and 29 July 1943] - [29 Aug 1943].
7. 17 Nov 1943 - [early 1944].
8. 31 May 1944 - 16 Apr 1945.

Subseries 6. 1945-1987.

Box 6

1. [15 Aug 1945] - 24 Dec 1945.
2. 30 Mar 1946 - 18 July 1946.
3. 19 Aug 1946 - 13 Dec 1946.
4. [20 Feb 1947] - 4 July 1947.
5. [12 Aug 1947] - 31 Oct 1947.
6. 3 Nov 1947 - 24 Feb 1948.

Box 7

1. [Feb or Mar 1948] - 28 May 1948.
2. [8 June - 1 July 1948].
3. [6 -24 July 1948].
4. [28 July 1948] - 17 Aug 1948.
5. [23 and 24 Aug 1948] - 15 Nov 1948.
6. 21 Nov 1948 - Dec 1949.
7. 25 Jan 1951 - Dec 1956.
8. 12 June 1957 - 15 Sept 1959.
9. 9 Jan 1962 - 15 Jan 1964.
10. 1 Apr - 25 Apr 1964.
11. [3 Jan 1967] - 13 Sept 1967.
12. 27 Jan 1985] - 14 Aug 1987.

Series 2. William Rheem Lighton. Boxes 8-13.

• Information about William Rheem Lighton and and contents of Series 2.
• Subseries 1. Personal items, Happy Hollow Farm, movie endeavors.
• Subseries 2. Manuscripts, notebooks and notes for books.
• Subseries 3. Galleys and typescripts.
• Subseries 4. Reprints and clippings.
• Subseries 5. Typescripts of stories and screenplays done in collaboration with Louis Duryea (Bud) Lighton.

The couple continued to live with the elder Lightons for several years, during which William Lighton tried a number of money-making schemes to support his family. He was an office worker, stenographer, lawyer (he had apparently been admitted to the bar in Kansas and Nebraska in 1891, though he did not practice law for long), newspaperman, typing and shorthand teacher, and court reporter. Around the turn of the century his success as a freelance writer was established. He wrote regular reports (including several on the 1906 San Francisco earthquake) for the Boston Evening Transcript, sold stories--especially his "Billy Fortune" stories--steadily to magazines, and produced a few moderately successful novels.

In 1908 the Lightons came to Fayetteville, Arkansas, where they bought a run-down farm and William Lighton turned his hand to "scientific agriculture." He built a stone and log house for the family (listed on the National Register of Historic Buildings in 1978) and wrote an article about their adventures for the Saturday Evening Post, "The Story of an Arkansas Farm." The story was enormously popular and resulted in queries from other would-be "back to the landers," as well as a continual stream of visitors to the Lightons' Happy Hollow Farm. The article was reprinted by a number of railroads to encourage migration.

The popularity of the article lead to a full-length book, Happy Hollow Farm, illustrated with photographs by early Fayetteville art photographer J. H. Field (the friendship between the two families continued--many later portraits of family members were made by Field).

William Lighton was genuinely interested in new developments in agriculture, and was making plans for a trip to Europe to study latest techniques there when World War I broke out. At about this time, the popularity of his stories also began to decline, so when the opportunity arose to write for the movies, the family sold Happy Hollow Farm and went to Los Angeles. William Lighton wrote the screenplay for one of Will Rogers's earliest movies, Water, Water Everywhere, with Will Rogers playing Billy Fortune. Although both William Lighton and his son had expectations of more movies, this did not happen.

The family decided to move back to Fayetteville and Laura McMaken Lighton returned alone to attempt to buy back Happy Hollow Farm. She could not and instead bought land nearby and built the house known as "Green Tree in the Country." She and their three daughters moved to Fayetteville (Suzanne had by then graduated from Los Angeles High School), while William Lighton and their son remained in California. Before he could join the women in Fayetteville, William Rheem Lighton died suddenly in Los Angeles, 25 January 1923. He was cremated and the ashes scattered.

Subseries 1. Personal items, Happy Hollow Farm, movie endeavors.

Box 8

1. Scrapbook [made by William Rheem Lighton as a child], including a clipping of an 1881 letter to the editors of the [Ottumwa, IA] Courier signed by "Will Lighton, Louis Lighton, Robert E. Lynch, and others."
2. Items and clippings pertaining to William Rheem Lighton in general, 1899-1923. Includes two pieces of sheet music composed by Lighton's father, one with words by W. R. Lighton, in oversize box 31.
3. Clippings and typescripts pertaining to John Whitcomb Riley and other friends of the Lightons, 1915, n.d.
4. List of William Lighton's writings [by Laura Lighton] and information about his writings (by Suzanne Lighton), correspondence with William Lighton's literary agent, contracts, 1904-1921, 1968, n.d.
5. Items pertaining to Lighton's reporting of the San Francisco earthquake, 1906 (see also Series 8, Photographs).
6. Clippings of the San Francisco earthquake, 1906. See also oversize box 31.
7. Legal papers pertaining to Happy Hollow Farm, 1908-1910.
8. Ledger containing financial records of Happy Hollow Farm, Aug 1908 - Oct 1910, including some notes on building.
9. Notes by Laura Lighton on Happy Hollow Farm; manuscript, "The Making of an Arkansas Farm."
10. Clippings and reprints of Happy Hollow Farm article, 1910, 1914, n.d., including booklets by three railroads.
11. Items pertaining to response to Happy Hollow Farm article and life at Happy Hollow; contract for book about Happy Hollow Farm, 1910-1919.
12. Clippings about Happy Hollow Farm (1950-1986); program for dedication of Happy Hollow School (1972).
13. Items pertaining to movie, Water, Water Everywhere, starring Will Rogers. (See photographs in Series 8, Photographs.)
14. Items pertaining to William Lighton's other efforts in the movie business. See also photographs in oversize box 31.

Subseries 2. Manuscripts, notebooks, and notes for books (see also Volumes 12-15).

Box 9

1. Manuscript: homemade notebook of William Lighton's writings, 1879-1880.
2. Manuscript: "Ottumwa, Iowa, 1880. Journal of a Boy" (autobiographical material, written at age 13).
3. Manuscript: "The Life and Experiences of Jim Holmes" (1880). Written by Lighton at age 14 and "Dedicated to my Mother."
4. Three notebooks of story ideas (including notes for Shadow of the Great Rock), clippings, some records of stories submitted.
5. Notebook containing poetry of William Lighton and 2 pages by Suzanne Lighton (1923).

Subseries 3. Galleys and typescripts.

Box 10

1. Galleys, "The Heart of a Man" for Ladies' Home Journal, 1905.
2. Typescripts of poems, short essay.
3. Typescripts: essays on writing and on stories.
4. Typescript of Lewis and Clark.
5. Typescripts of essays on economics, shipbuilding, and agriculture (1913, n.d.).
6. Typescript of essay, "The Relations of the Prairies to the Orient."
7. Typescripts of article, "The Mississippi Empire," two with drafts of letter, 1919.
8. Typescripts of essays and articles on the west.
9. Typescripts of essays and articles on the west.
10. Typescripts of "Letters to my Boy in Service" (I and II).
11. Typescripts of stories.
12. Typescripts of stories.
13. Typescripts of stories (Arkansas settings or themes).
14. Typescripts of stories [Arkansas settings or themes].

Box 11

1. Typescripts of stories [Nebraska settings or themes].
2. Typescripts of stories [Wyoming settings or themes].
3. Typescripts of stories [Arizona and New Mexico settings or themes].
4. Typescripts of stories [other western settings or themes].
5. Typescripts of Brad Betts stories (or start of novel?).
6. Typescripts of Judge Jerry stories.
7. Typescripts of Billy Fortune stories (includes one synopsis for screenplay with letter, 1918).
8. Typescripts of Billy Fortune stories (plus two fragments of Billy Fortune stories).
9. Typed story fragments.
10. Typescripts and correspondence pertaining to book, The Flaming Sword (1918).

Subseries 4. Reprints and clippings.

Box 12

1. "Preliminary Notes on a Study of Atrypa Reticularis, Linn." (clipping from Bulletin of the Washburn College Laboratory of Natural History), by W. R. Lighton (Willam Lighton or his father?); Bound booklet: Essay of Protean Nature, by "The Hermit of Leavenworth" [by Lighton?].
2. Booklets, mostly reprints by railroads and other companies of articles (1911-1918, n.d.).
3. Clippings of articles, mostly on agriculture (1900-1914, n.d.). Two clippings in oversize box 31.
4. Clippings of stories (1893-1913, n.d.).

Subseries 5. Typescripts of stories and screenplays done in collaboration with Louis Duryea (Bud) Lighton.

Box 13

1. Billy Fortune stories.
2. Other stories.
3. Typescript and carbon copies of novel, The Rooftree: A Story of Home.
4. Screenplays.

Series 3. Laura McMaken Lighton. Box 14.

Following her marriage in 1890, Laura McMaken Lighton gave birth to four children who survived to adulthood: Dorothy, Louis (usually called Bud), Suzanne (in her youth usually called Peggy or Peggy Sue), and Marjorie (usually called Betty; the donor of this collection). In addition, there were two sons who died in childhood: William Andrew (1891-1892) and David McMaken (1899- 1902).

Laura Lighton's business skills became apparant after her husband's death. She turned Green Tree in the Country into a tea room (the Green Tree Inn) and also started building and buying and selling property to support her daughters. One of her main properties was the Green Tree Apartments, rented largely by students who called her "Ma Lighton." She became involved in community affairs, particularly the Perennial Garden Club (a major project was the planting and beautification of Arkansas Avenue as a memorial to Will Rogers), the City Library, and the Friday Social Club. She died 8 September 1948.

Box 14

1. Calling cards and other personal items.
2. Scrapbook, Christmas present from Laura McMaken's mother, 1878.
3. Clippings and pictures originally laid into scrapbook in Folder 2.
4. Items pertaining to Laura McMaken's marriage (photograph of church in Series 8, Photographs).
5. Notes Laura McMaken Lighton wrote on each anniversary, 1891- 1894, including events of the past year for each.
6. Items pertaining to family and birthdays.
7. Diaries, 1899-1902 and 1902; envelope containing locks of children's hair; clippings pertaining to burial of William Andrew Lighton (1892) and to Fayetteville women's activities during flu epidemic (1918; Laura Lighton was a volunteer nurse).
8. Personal and household accounts, 1898-1940 (see also Volumes 24-25 and oversize box 31).
9. Papers pertaining to Laura Lighton's real estate dealings, 1920-1929.
10. Notebook of Green Tree Inn expenses (see Volume 26 for Green Tree guest book), chattel mortage for Green Tree Apartments furnishings; sheet music inscribed by composer, a former resident of Green Tree Apartments.
11. Items pertaining to Laura Lighton's travels, 1934-1937.
12. Items pertaining to Arkansas Avenue beautification, 1931- 1937, 1976.
13. Items pertaining to Laura Lighton's last birthday (24 August 1948) and death (8 September 1948).

Series 4. Louis Duryea Lighton. Box 15-16.

Box 15

1. Personal and military papers, 1917-1941.
2. Notes on short story ideas, short story, "Old Lady."
3. Six notebooks of notes and ideas for scenes.
4. "Desk Diary" containing notes and ideas for scenes, clippings, and papers.
5. Pages removed from looseleaf notebook, containing inventory of works of art and books on horses and the west.
6. Items pertaining to Louis Lighton's life work and death.
7. Other personal items.
8. Clippings, mostly about movies.
9. Publicity for Flesh and Blood (from story by Bud, 1920?) and program for The Circus, starring Charlie Chaplin (1927).
10. Other items pertaining to movies: publicity, reviews, programs. See Volume 27 for book, The Virginian, signed by members of cast of Lighton's movie.

Box 16

1. Script, Mr. Coronado (Arizona setting).
2. Script, Soldiers Three, "copy for L. D. Lighton."
3. Script, Lucky Night, "copy for L. D. Lighton"; "Script okayed by: Mr. Lighton."

Series 5. Suzanne Chalfant Lighton. Boxes 17-19.

Box 17

1. Personal items pertaining to Suzanne Lighton's birth, childhood, high school, and college, 1905-1931. See also Manuscript Collections Oversize Box 8.
2. Mementos of family and friends, including greeting cards, 1938-1969.
3. Items pertaining to Suzanne Lighton's "shower," 1951 (see associated photographs in Series 8, Photographs).
4. Other personal items and items pertaining to family and Happy Hollow Farm, 1938-1978 (see associated photographs in Series 8, Photographs).
5. Notes, correspondence, deed, and photos pertaining to the installation of grave markers for the McMaken grandparents, William Andrew Lighton, and David McMaken Lighton, Plattsmouth, Nebraska, 1967-1968. Death certificate for Lydia Lighton and bill for burial, Fayetteville, 1936.
6. Four diaries and journals: 1 Jan 1922 - 8 Nov 1923, 24 July 1924; 1934 trip west (see associated photographs in Series 8, Photographs); 1936 Democratic National Convention; 1964 trip to England.
7. Suzanne Lighton's accounts, Feb 1933 - Dec 1950: income from freelance writing and legal work, expenses for business.
8. Papers and accounts pertaining to house at 424 N. Willow, Fayetteville.
9. Notes for and fragments of stories by Suzanne Lighton.

Box 18

1. Notes, typescripts, photocopies of Suzanne Lighton's published articles on fox hunting. See also photo in Series 8, Photographs.
2. Notes and typescript of article, "The Old Record Book," about 1829 Washington county record book (2 versions). See photo in Series 8, Photographs.
3. Other articles and fragments by Suzanne Lighton (see associated photos in Series 8, Photographs.)
4. Short story, "Cockles for Barley," including several versions and two pages of criticism by [Charles Morrow Wilson].
5. Courtroom proceedings; stories or fragments, mostly with courtroom or law enforcement setting.
6. Clippings on local history and local color; notes on Arkansas and local history.
7. Items pertaining to Suzanne Lighton's law career: attorney's license, Ft. Smith, January 24, 1941; samples of her stationery and business cards; clippings (1933-1978), letters regarding juvenile court (1978). See also Manuscript Collections Oversize Box 8.
8. [Papers pertaining to the sale of her law business, 1967- 1969, are restricted until the year 2038.]
9. Material (1957-1967) pertaining to activities in the Arkansas Bar Association and the Washington County Bar Association (Suzanne Lighton was President 1958-1959).
10. Materials pertaining to politics (1937-1977).
11. Materials pertaining to the Arkansas Democratic Women's Club (1937-1956).
12. Materials pertaining to League of Women Voters (1963-1967).
13. Material pertaining to Estate Planning Council of Northwest Arkansas, 1966-1967.

Box 19

1. Card, certificate, stationery, correspondence pertaining to the Red Cross, 1962-1975.
2. Bylaws, annual reports, minutes, notes pertaining to the Red Cross, 1952-1967.
3. Information, notes on recruitment of donors, procedures pertaining to the Red Cross blood program.
4. Printed matter on the Red Cross blood program; clippings and lists of donors for Red Cross Bloodmobile visits, 1973-1976.
5. Material pertaining to urban renewal, Child-Family Guidance Service, Child Welfare Department, mental health, "Exploring" program (1960-1965, n.d.).
6. Correspondence, clippings, press releases, printed matter, and notes pertaining to the Arkansas Chapter, Arthritis and Rheumatism Foundation, 1962-1967.
7. Material pertaining to Economic Opportunity Study Committee for Washington County, 1965-1966.
8. Material pertaining to the Ozark Society, especially efforts to save Buffalo River; includes many letters from J. William Fulbright, Winthrop Rockefeller, and others in answer to Suzanne Lighton's letters, 1965-1967.
9. Material pertaining to the Citizens' Association of Fayetteville, 1965-1967.
10. Material pertaining to the Planning, Urban Renewal, and Public Housing Information Committee, Fayetteville, Arkansas, 1966.
11. Material pertaining to the County Conference on Social Services, 1966.
12. Material pertaining to Downtown Fayetteville Unlimited, Inc., 1966-1967; Suzanne Lighton's literacy tutoring certificate, 1974; clippings and correspondence concerning landscaping of Arkansas Avenue median, 1975. See Oversize Folder 1 for blueprint of landscape plan.

Series 6. Marjorie (Betty) Lighton. Box 20-23.

Box 20

1. Items pertaining to Betty Lighton's childhood, including early poems.
2. Clippings, notes, programs from Betty's high school days (see related photos in Series 8, Photographs) and dance performances (1929 and 1930).
3. Records and programs pertaining to studies at Texas State College for Women, College of Industrial Arts, Denton (CIA), 1930-1934. Diploma in Manuscript Collections Oversize Box 8.
4. Betty Lighton's notes and reports, CIA, 1933, n.d.
5. Poems and materials collected as part of speech work at CIA.
6. Class notes; copied poems, plays, and essays from speech or drama classes at CIA.
7. Items pertaining to plays studied or performed and copies of plays with production notes.

Box 21

1. Typed carbon copies of plays with notes on production.
2. Notes for speeches, CIA.
3. Program and scripts for "The Painted Doll," a "Musical Extravaganza" presented by junior and senior classes, CIA, 1933. See related photo in Series 8, Photographs.
4. Clippings, letters, notes, mostly pertaining to Betty Lighton's activities with CIA Students' Association, 1933-1934.
5. Handwritten resume of jobs, 1934-1939; grades, letters, clippings, and certificates pertaining to jobs, 1935-1939.
6. Grades, clippings, play programs, notes, and class handouts from Northwestern University, 1939.
7. Plays with production notes.
8. Article, "The 'Lost Generation' Speaks Back," by "Betty Marjorie Lighton" (1936), radio script; notes and letter containing local color for planned radio scripts.
9. Typed transcript from Betty Lighton's days as a court reporter, kept for story material.
10. Series of radio plays, "Jedge Lem's A-Courting Today," done for class at Northwestern University, 1939.
11. "Plan for Series of Broadcasts" and synopses for 25 plays for "Jedge Lem's A-Courtin' Today" series. (At least some of these were based on Fayetteville cases, especially Suzanne Lighton's.)
12. Rewritten versions of the "Jedge Lem's A Courtin' Today" series of radio plays.
13. Journal of trip to Chicago and other items pertaining to the start of World War II and Betty Lighton's entering the Red Cross, 1940-1943.

Box 22

1. Schedules, programs, newsletters, reference lists pertaining to Red Cross work as Recreation Worker at O'Reilly General Hospital, Springfield, Missouri (1943-1944) and as Head Recreation Worker at ASF Regional Hospital, Camp Crowder, Neosho, Missouri, (1944-1945); letter of resignation from Red Cross (1945).
2. Mimeographed information sheets for Red Cross workers on mental hygiene, psychotic psychoneurotic patients, recreation programs, and supervision; mimeographed instructions for games and quizzes.
3. Memos, notes, bibliographies, information sheets pertaining to work as Area Recreation Consultant (14-state territory) for Red Cross, St. Louis, Missouri.
4. Papers Betty Lighton was working on regarding integration of case work and recreation, recreation, and music as therapy.
5. Notes from different hospitals visited as Recreation Consultant.
6. Clippings, memos, brochures, letters, and papers pertaining to Red Cross work as Head Recreation Worker, Bruns General Hospital, Santa Fe, New Mexico, 1946-1946.
7. Reports, 1946.
8. Positive photocopies of letter and patient records, Bruns General Hospital (patients' names have been obliterated on copies; original letters available for research only with special permission), 1946.
9. Manuals, brochures, programs, letters pertaining to Red Cross work as Head Recreation Worker, Fitzsimons General Hospital, Denver, Colorado, 1946-1947.
10. Memos concerning cut-back in employees, Betty Lighton's letter of resignation, work performance reviews, cards, and letters, 1947-1948 (for all employee records, positive photocopies with names obliterated are provided for research; originals are available only with special permission).
11. Papers, cards, health report, and certificate for Red Cross service during World War II.

Box 23

1. Correspondence and clippings pertaining to activities after leaving Red Cross, search for a new job, work with Girl Scouts, 1947-1955.
2. Material pertaining to Tanasi Girl Scout Council, including correspondence (1979) regarding anniversay of Tanasi.
3. Material, primarily pertaining to work with Girl Scouts, 1949-1958.
4. Materials pertaining to Betty's fellowship and studies at University of Tennessee School of Social Work, 1958-1960.
5. Correspondence and clippings pertaining to summer work, 1959.
6. Betty's thesis, 1960, University of Tennessee Graduate School of Social Work, with copies of survey letter and questionnaire used by Betty for thesis, approval of thesis topic, invitation to commencement exercises.
7. Materials pertaining to job search and employment with YWCA, Dayton, Ohio, 1960-1963.
8. Clippings, correspondence, and minutes pertaining to Betty Lighton's activities after retirement; her education and employment history (written October 1987).
9. Other clippings and historical items.

Series 7. Dorothy Lighton, Laura McMaken Lighton's extended family, and friends of the Lightons. Box 24

Laura McMaken Lighton's extended family played an important part in William Lighton's writings. Her uncle, Henry McMaken, participated in the first survey of Nebraska Territory, and his tales of early Nebraska were the basis for William Lighton's book, Uncle Mac's Nebrasky. William Lighton's fictitious "Billy Fortune" was based upon Laura Lighton's cousin, Dan Chalfant. His sister, Alice Chalfant Wolfe, and her family homesteaded in Wyoming, establishing the Nine Bar Ranch near Lusk. While visiting the Nine Bar, William Lighton met Dan Chalfant, who had homesteaded the adjoining property. William Lighton returned to the Nine Bar later, in company with an illustrator, to gather further information for his Billy Fortune stories. Much of the material was gathered or saved by Suzanne Lighton, who was interested in family history. During Laura Lighton's last illness, Suzanne Lighton questioned her and took notes on family history.

Included are papers and correspondence pertaining to A. C. McMaken's Civil War service. Andrew McMaken, Company A, First Nebraska Cavalry, enlisted as a private but was promoted to sergeant in October 1861. In December 1863, he resigned in order to accept a commission as second lieutenant of Company C, Sixty- second United States Colored Infantry. During his tour of duty with the Sixty-second, McMaken survived the sinking of the steamboat Planet on February 1, 1864, on the Mississippi River near St. James Parish, Louisiana. McMaken resigned his commission on July 4, 1864, and returned to Nebraska. There he reenlisted as a private with the First Regiment of Nebraska Veteran Volunteer Cavalry and saw service at Fort Kearney, Nebraska, as a quartermaster sergeant. Other than his notice of resignation from the Sixty-second U. S. Colored Infantry, no letters of McMaken from 1861 to 1865 are in the collection, but there are numerous supply returns from Fort Kearney dated 1864 and a report of equipment lost during the sinking of the Planet. Some of McMaken's letters from the late nineteenth century mention his war exploits, and there are numerous pension documents. The collection also includes one letter, dated November 11, 1864, written from Fort Leavenworth, Kansas, by Private H. A. Seiffert, Company M, Second Colorado Cavalry. Seiffert, apparently writing to McMaken, describes in detail his experiences during the battle of Westport, Missouri, October 23, 1864, and his regiment's subsequent pursuit of General Sterling Price's retreat toward Arkansas.

Friends include the North Family (neighbors and good friends of Laura McMaken Lighton's in Atchison, Kansas), Judge Lee Seamster (Suzanne Lighton's friend and mentor), and Henry Tovey (a music professor at the University of Arkansas and a close friend of the Lighton family). Like Suzanne Lighton, Seamster was interested local color, and many of his resesarch notes and papers were saved by Suzanne Lighton. Most Seamster material was separated and incorporated into MC 637, Lee A. Seamster Papers.

Box 24

1. Printing plate for Dorothy's calling cards; card from Betsy to Laura; invitation to Betsy's wedding, 1949; clippings.
2. Pages from family Bible and additional family information (mostly written by Suzanne).
3. Materials pertaining to Andrew Campbell McMaken's Civil War service, 1864-1909, including explanation by Suzanne Lighton (1968) and correspondence concerning where McMaken served (1946). See also oversize box 31 and Manuscript Collections Oversize Box 8.
4. Obituaries, clippings, cards, notices, etc., pertaining to Andrew Campbell McMaken and his family, 1872-1951.
5. Clippings pertaining to the North family. See also photograph album in Series 9.
6. Papers pertaining to Lee Seamster and Henry Tovey. See also photographs in Series 8, Photographs.

Series 8. Photographs. Boxes 25- 28.

• Subseries 1. Primarily photographs pertaining to William Rheem Lighton.
• Subseries 2. Primarily photographs pertaining to Laura McMaken Lighton.
• Subseries 3. The Lighton family.
• Subseries 4. Primarily photographs pertaining to Dorothy Lighton and her family.
• Subseries 5. Primarily photographs pertaining to Louis Duryea (Bud) Lighton.
• Subseries 6. Primarily photographs pertaining to Suzanne Lighton.
• Subseries 7. Primarily photographs pertaining to Marjorie (Betty) Lighton.
• Subseries 8. Laura McMaken Lighton's extended family; the North family, Henry Tovey, and other friends; and Fayetteville scenes.
• Subseries 9. Betty Lighton's 35 mm proof sheets.

Box 25

Subseries 1. Primarily photographs pertaining to William Rheem Lighton.

1. Photographs 1-4. Portraits of William Rheem Lighton's grandmother and uncle; early portraits of Lighton.
2. Photographs 5-10. Portraits of William Rheem Lighton.
3. Photographs 11-29. Photographs from the San Francisco earthquake, 1906, some with captions by Lighton (see Box 8, Folder 5).

   Subseries 2. Primarily photographs pertaining to Laura McMaken Lighton.

4. Photographs 30-36. Portraits of Laura McMaken, 1880-1922.
5. Photographs 37-44. Snapshots of Laura McMaken Lighton, 1928- 1948.

   Subseries 3. The Lighton family.

6. Photographs 45-55. The Lighton family before move to Arkansas, including portraits of children.
7. Photographs 56-62. Happy Hollow Farm, including several views of exterior and interior of house and many J. H. Field photographs.
8. Photographs 63-80. Stills from movie, Water, Water Everywhere, starring Will Rogers and snapshots taken on the set. See also Box 8, Folder 13.
9. Photographs 81-94. Green Tree in the Country, the Lighton daughters and their friends.

   Subseries 4. Primarily photographs pertaining to Dorothy Lighton and her family.

10. Photographs 95-101. Dorothy Lighton.
11. Photographs 102-108. Dorothy Lighton Benton's children, including (103) J. H. Field photographs of Betsy and Bill Benton.
12. Photographs 109-118. Dorothy Lighton Benton's children.
13. Photographs 119-122. Dorothy Lighton Benton's grandchildren.

Box 26

Subseries 5. Primarily photographs pertaining to Louis Duryea (Bud) Lighton.

1. Photographs 123-127. Childhood and college, including (127) on steps of Old Main.
2. Photographs 128-130. World War I.
3. Photographs 131-208. Movie stills and photographs at movie locations, including (131-136) Bud's silent movie, Alice in Wonderland, (137-177) The Virginian (silent version), and (200-208) unidentified aerial photo of landing strip in arid landscape and postcards of Marrakesh (location for The Black Rose).
4. Photographs 209-228. Bud, Hope, and their Hollywood friends and activities, including (219, 220) Amelia Earhart and (221) Spencer Tracy. See oversize box 31 for portrait of Bud (210).
5. Photographs 229-261. Rancho Monserate (Bud's California ranch), including buildings, people, animals, 1939-1941, n.d.
6. Photographs 262-295. Wine Glass Ranch, Paulden, Arizona: buildings, animals, Bud, Hope, and friends, including (271-277) working cattle on horseback.
7. Photographs 296-310. Bud, Hope, and dogs in Los Angeles and on the ranches, 1949, 1951, n.d.
8. Photographs 311-362. Mallorca, Spain, 1956-1963, including (352-362) cemetery and stones for Hope and Bud.

   Subseries 6. Primarily photographs pertaining to Suzanne Lighton.

9. Photographs 363-369. Formal portraits of Suzanne.
10. Photographs 370-373. Formal portraits of Suzanne. See also oversize box 31.

Box 27

1. Photographs 374-388. Snapshots and activities, including (378-381) Suzanne's "shower" at Mountain Inn, 1951 (see Box 17, Folder 3) and (386-387) 1975 reunion of U of A class of 1925 (see Box 17, Folder 4).
2. Photographs 389-460. From trip across country with Laura and Betty, 1934 (see Box 17, Folder 6). The photographs are numbered (some missing) and with information on verso written by Suzanne.
3. Photographs 461-481. Pertaining to Suzanne's writing and local color (see Box 18, Folders 1-3, 6).

   Subseries 7. Primarily photographs pertaining to Marjorie (Betty) Lighton.

4. Photographs 482-498. Childhood, high school (see Box 20, Folder 2), and dance performances, including portraits by (482) B. E. Grabill, 1913, and (483) J. H. Field; (484-486) Happy Hollow Farm; and (490-491) group portraits of Betty's high school sorority (see Box 20, Folder 2).
5. Photographs 499-505. Formal portraits (1928-1934) and college activities (see Box 21, Folder 2), including (499-500) portraits by J. H. Field and (503) performance of "The Painted Doll" (see Box 21, Folder 3).
6. Photographs 506-516. After college: (506) parade in Lusk, Wyoming, probably 1934 and (507-516) photographs from plays directed by Betty (ca. 1935-1936) for Blackfriars, an honorary drama group at the University of Arkansas.
7. Photographs 517-554. Horses, Dixie Stables (owned by Andy Jones, on corner of Leverett and North Streets, Fayetteville), riding, late 1930s - 1940s.
8. Photographs 555-599. Primarily Betty's horses: (555-570) her first mare and other horses at Dixie Stables; (571-574) horse postcards sent to Betty when she fell off horse in 1941 and broke her pelvis; and (575-599) Betty, her mare Lady, and Lady's colt (Stinker).
9. Photographs 600-645. Saddle-Bow Riding Club, organized ca. 1940, and other events and rodeos.
10. Photographs 646-670. Trail rides, including (649-657) one to White Rock, 1943 or 1944, Fayetteville and Fort Smith groups.
11. Photographs 671-723. Dogs and other friends.
12. Photographs 724-741. Red Cross, including (726-735) military drills at O'Reilly, Springfield, Missouri, 1943, and (737-741) activities and people at Camp Crowder, Neosho, Missouri, 1944.
13. Photographs 742-769. Red Cross: pictures taken when Betty was Area Recreation Consultant, based in St. Louis, including (743-747) party at [Borden Hospital, Chickasha, Oklahoma], ca. 1945; pictures taken when Betty was Head Recreation Worker at Bruns General Hospital, Santa Fe, New Mexico, June 1946 - Nov 1946, including trip to (751-755) El Paso, Texas, and (757-759) a wedding at one of the pueblos near Santa Fe.

Box 28

1. Photographs 770-805. Red Cross: pictures taken when Betty was Head Recreation Worker at Fitzsimons General Hospital, Denver, Colorado, Nov 1946 - Nov 1947, including (770-786) picnics and (787-801) trips out from Denver.
2. Photographs 806-821. Girl Scouts, 1948-1950s, including (810) lodge dedicated as "Lighton Lodge."
3. Photographs 822-823. University of Tennessee Graduate School of Social Work, Knoxville. Photographs 824-825. Dayton, Ohio (Betty on YWCA staff there). Photographs 826-837. Mt. Sequoyah, Fayetteville, Arkansas, in the snow.

   Subseries 8. Laura McMaken Lighton's extended family; the North family, Henry Tovey, and other friends; and Fayetteville scenes.

4. Photographs 838-847. Portraits of Chalfants, McMakens, and Zolls.
5. Photographs 848-873. Laura McMaken Lighton's cousins Alice Chalfant Wolfe, Dan Chalfant, and the Nine Bar Ranch.
6. Photographs 874-891. Friends, including (874-879) old friends of Laura's from Nebraska, (880) Lt. Frank Ellis and granddaughter (had peach orchard on Mt. Kessler when Lightons at Happy Hollow Farm, used to meet at Baptist Ford for picnics), (885-891) pictures of Henry Tovey (see also Box 24, Folder 6).
7. Photographs 892-903. Other photographs pertaining to Henry Tovey, his family, friends, house, and car, (902 and 903 in oversize box 31).
8. Photographs 904-914. Other scenes of Fayetteville and vicinity; other people. Includes (905) J. H. Field photographs of Ida Gregg's garden; (910) tintype of unidentified black man, possibly Fayetteville native William Pettigrew; and (914) copy photograph of Union soldiers in Fayetteville during the Civil War (on display in reading room).

   Subseries 9. Betty Lighton's 35 mm proof sheets.

   At the time that Betty Lighton was taking 35 mm photographs, it was customary to have the roll developed and contact proofs made. The customer would then order enlargements (about 3" x 4 1/2" was common) from chosen negatives.

   The collection includes both contact proofs and negatives. In only a few cases are there negatives without proofs or proofs without negatives. Relatively few enlargements were made; those in the collection are noted on the proofs.

   The 35 mm proofs have been put in negative file sheets. With few exceptions, each file sheet (sometimes with an additional file strip) represents one roll of film and is numbered with "35-" as a prefix. (Corresponding negatives have also been put in file sheets and numbered the same, with "n" as a suffix.)

   Box 28 (cont.)

9. File sheets 35-1 through 35-8, including family, friends, dogs, horses, Saddle Bow Riding Club, Mt. Sequoyah, trail ride.
10. File sheets 35-9 through 35-16, including trail ride, Mt. Sequoyah in the snow, horses, rodeos, family, and cats.
11. File sheets 35-17 through 35-25, including puppy, rodeos, Betty's colt, swimmers, and Mt. Sequoyah.
12. File sheets 35-26 through 35-31 (proof sheets only; no negatives), including friends, pets, horses, and snow.
13. Sample of envelopes from photo processing establishments, including decorative printed envelope from Sowder Studio, Fayetteville.

Series 9. William Lighton's works, scrapbooks, albums, and other books. Boxes 29-30, Volumes 1- 41.

• Subseries 1. William Lighton's works.
• Subseries 2. Scrapbooks and albums.
• Subseries 3. Betty Lighton's college yearbooks, 1931-1934.

Subseries 1. William Lighton's works.

Volume 1.

"William R. Lighton Collected Works, Vol. 1," including short stories (some in collaboration with Louis D. Lighton), poem, and serialized versions of The Ultimate Moment and The Shadow of a Great Rock.

Volume 2.

"William R. Lighton Collected Works, Vol. 2," including short stories.

Volume 3.

"William R. Lighton Collected Works, Vol. 3," including short stories.

Volume 4.

"William R. Lighton Collected Works, Vol. 4," including short stories and an article.

Volume 5.

"William R. Lighton Collected Works, Vol. 5," including short stories, mostly Billy Fortune.

Volume 6.

"William R. Lighton Collected Works, Vol. 6," including Billy Fortune and other short stories.

Volume 7.

"William R. Lighton Collected Works, Vol. 7," including Billy Fortune and other short stories (some in collaboration with Louis D. Lighton).

Volume 8.

"William R. Lighton Collected Works, Vol. 8," including short stories, sheet music, and articles (including series, "From Father to Son").

Volume 9.

"William R. Lighton Collected Works, Vol. 9," including Billy Fortune, Judge Jerry, and other short stories and serialized version of Happy Hollow Farm.

Volume 10.

"William R. Lighton Collected Works, Vol. 10," including Billy Fortune, Judge Jerry, and other short stories (some in collaboration with Louis D. Lighton) and an article.

Volume 11.

"William R. Lighton Collected Works," containing record book with manuscript first chapter of The Holy Graft: A Novel, by William R. Lighton, 1907, and other fragments.

Volume 12.

Ledger containing notes and manuscripts for The Ultimate Moment (1901) and other notes and articles.

Volume 13.

Ledger containing notes and manuscripts for The Ultimate Moment (1902) and other notes and articles.

Volume 14.

Ledger containing fiction notes and manuscripts for The Rooftree.

Volume 15.

Ledger containing manuscripts for The Rooftree, partial inventory of music sound recordings, and site plan for farm.

Volume 16.

Bound issues of Back to the Land ("A Magazine of Modern Farming for the Man ["or Woman" added with vol. 1, no. 3 issue, Dec 1910) Who Wants to Make a Profitable, Modern Farm-Home"), edited by William R. Lighton, vol. I, no. 1 (Sept 1910) through vol. II, no. 6 (Nov 1911).

Volume 17.

Love. New York: McClure, Phillips & Co., 1901. A collection of five stories, one, "The State Against Ellsworth," by William R. Lighton. Inscribed "To my dear wife in remembrance of the days when 'Ellsworth' had birth. Will. Feb. 19, 1901.

Volume 18.

William R. Lighton. Uncle Mac's Nebrasky. New York: Henry Holt and Company, 1904. Bookplate inside front cover: "Suzanne Chalfant Lighton. Fayetteville. Dec 25--38."

Volume 19.

William R. Lighton. The Shadow of a Great Rock. New York: G. P. Putnam's Sons (The Knickerbocker Press), 1907. Inscribed "Suzanne Chalfant Lighton With love from Mother. Fayetteville. January 25--1942."

Volume 20.

William R. Lighton. Billy Fortune. Toronto: Thomas Langton, 1912. Inside front cover: "Suzanne Chalfant Lighton. Fayetteville, Arkansas. August, 1951."

Volume 21.

William R. Lighton. Letters of an Old Farmer to His Son. New York: George H. Doran Compnay, 1914. Bookplate inside front cover: "Suzanne Chalfant Lighton. Fayetteville. Dec 25--38."

Volume 22.

William R. Lighton. Happy Hollow Farm. New York: George H. Doran Company, 1915. Illustrated with photos, at least some J. H. Field. Inside front cover: "Mrs. L. [T.] Lighton" and (different color ink) "For Peg."

Subseries 2. Scrapbooks and albums.

Volume 23.

Scrapbook containing WRL's press clippings, poems, illustrations from stories, some copies of contracts, etc. Also includes letters, notes by Laura on Will's writings, and some clippings originally laid in; ca. 1898-1914.

Volume 24.

Notebook of Laura McMaken Lighton's, containing a few household accounts (1902) and notes on travels around Boston.

Volume 25.

Notebook of Laura McMaken Lighton's, containing household accounts for 1906-1908.

Volume 26.

Green Tree Inn guest book, 1922-1925.

Volume 27.

Copy of Owen Wister, The Virginian (New York: The Macmillan Company, 1905), signed by members of cast of Louis Lighton's movie.

Volume 28.

(In box 29; many pictures loose.) Photo album pertaining to Bud: movie location, "Pat" Hope's daughter by previous marriage, Mike = Mike Sword--married Pat), friends (including Amelia Earhart), animals, airplanes.

Volume 29.

Scrapbook of clippings and photos pertaining to Bud. Includes photos of airplanes, Happy Hollow Farm; clippings laid in. [reviews of A Tree Grows in Brooklyn removed to Series 5.] Also includes typed carbon copy of list of contents of scrapbook.

Volume 30.

Bud's scrapbook from Wine Glass Ranch, Arizona and from ranch in California (had two-story house; ranch in Arizona had one-story house). Gift from step-daughter Pat Sword, 1934.

Volume 31.

Bud's scrapbook--wood cover with marquetry horse branded with Wine Glass brand--mostly from California ranch--also some airplanes, Amelia Earhart, Hollywood people, etc.

Volume 32.

(In oversize box 31.) Photo album of baby pictures of Suzanne, apparently put together by photo studio, 1905.

Volume 33.

(In Box 30.) "My Vacation Days" Photo album, ca.1919-1929. Happy Hollow Farm, Los Angeles, Fayetteville & U of A (including some trick double exposures), Green Tree in the Country, Fayetteville Centennial.

Volume 34.

(In Box 29.) Photo album, 1923-1926. Green Tree in the Country (including 2 Field photos).

Volume 35.

(In oversize box 31; falling apart, so taken apart, pages numbered, and put in folder.) Betty's scrapbook from college (College of Industrial Arts, Denton, Texas), 1931-1934.

Volume 36.

(In oversize box 31; falling apart, so taken apart, pages numbered, and put in folder.) Betty's photo album, 1931-ca. 1940 (CIA, Northwestern, Green Tree Apartments, swimming, horses, elatives, friends).

Volume 37.

(In Box 30.) Photo album containing 25 cabinet photos and 11 cartes de visite, small tintype laid in. Mostly portraits of North and Lukens families--friends of Laura's in Atchison.

Subseries 3. Betty Lighton's college yearbooks, 1931- 1934.

Volume 38.

1931.

Volume 39.

1932.

Volume 40.

1933.

Volume 41.

1934.