WILLIAM GRANT STILL AND VERNA ARVEY PAPERS
Manuscript Collection MC 1125
Group 2. William Grant Still and Verna Arvey Writing and Research
Files, 1899-1986. Boxes 69-88.
Contents of Group 2
- Series 1. Literary manuscripts by
William Grant Still, Verna Arvey, Judith Anne Still Headlee, and
others, 1926-1983. Boxes 69-75.
- Subseries 1. Manuscripts of articles
and book by William Grant Still, 1926-1972. Box 69.
- Subseries 2. Manuscripts of speeches
and radio talks by William Grant Still, 1938-1973.
Boxes 70-71.
- Subseries 3. Manuscripts of
articles, books, short stories, and translations by Verna Arvey,
1953-1973. Boxes 72-74.
- Subseries 4. Manuscripts of speeches
and radio talks by Verna Arvey, 1939-1975. Box 74.
- Subseries 5. Manuscripts of Judith
Anne Still Headlee, 1953-1957. Box 74.
- Subseries 6. Manuscripts of others,
1937-1983. Box 75.
- Series 2. Published articles by
William Grant Still, Verna Arvey, and Judith Anne Still Headlee,
1929-1986. Boxes 76-82.
- Subseries 1. Published articles by
William Grant Still, 1932-1972. Box 76.
- Subseries 2. Published articles by
Verna Arvey, 1929-1969. Boxes 77-81.
- Subseries 3. Published articles by
Judith Anne Still Headlee, 1970-1985. Box 81.
- Subseries 4. Published articles and
references to William Grant Still and Verna Arvey, 1933-1986. Box
82.
- Series 3. Music research files, 1899-
1986. Boxes 83-87.
- Subseries 1. Compositions by William
Grant Still, n.d. Box 83.
- Subseries 2. Biographical,
performance programs, and other materials pertaining to William
Grant Still and/or Verna Arvey, 1921-1984. Box 84.
- Subseries 3. General music research
files, 1936-1981. Boxes 85-86.
- Subseries 4. Books, pamphlets, and
other sources used as musical inspiration, 1923-1964. Box 87.
- Series 4. General research files,
1899-1978. Box 88.
- Series 5. Bibliography of books
(separated from the papers).
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Collection
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Series 1. Literary manuscripts by
William Grant Still, Verna Arvey, Judith Anne Still Headlee, and
others, 1926-1983. Boxes 69-75.
This series contains manuscripts of William Grant Still, Verna
Arvey, Judith Anne Still Headlee, and others. Some librettos by
Verna Arvey are in this series; others found with the musical
scores are in Group III, Series 1 (Musical Scores and Index).
The manuscript and/or various drafts of the manuscript
pertaining to the same article, speech, radio talk, book, or
translation are found in the same folder unless otherwise noted.
Original titles given by the author are italicized; those in
roman type have been supplied by the processor.
Subseries 1. Manuscripts of articles
and book by William Grant Still, 1926-1972. Box 69.
Box 69
- [American Music], n.d.
- The American Symphony That Paid For Itself, n.d.
- America's Debt To ASCAP, n.d.
- Communism In Music, n.d.
- Cultural Aspects Of The Racial Revolution in collaboration
with Verna Arvey, 1964.
- Highway I, U.S.A., July 1967.
- Music, A Vital Force In American Race Relations, n.d.
- [Observations Of A Composer], n.d.
- On Composing For The Harp, as told to Verna Arvey, 1972.
- Praise, Prayer, Thanksgiving, Testimony
- Prayer, Praise, Thanksgiving, Testimony, contains a draft
of MOTA, 1926-1930.
- [Reviews Of Music Texts], n.d.
- Strange Experiences, 1933.
- A Time For Re-Appraisal, 1966.
- ["To You America!"], n.d.
- Who'll Do Opera By Americans? n.d.
- William Grant Still And The Fusion Of Cultures In American
Music, 1971. Robert Bartlett Haas (editor), William Grant Still,
Verna Arvey, et al.
- [Untitled Autobiographical Manuscript], corrections by Verna
Arvey, n.d.
Subseries 2. Manuscripts of speeches
and radio talks by William Grant Still, 1938-1973. Boxes 70-
71.
Box 70
- The Advancing Role Of Negroes In America, University of
Arkansas, Mar 22, 1972.
- [Africa, The Afro-American Symphony And The Symphony In G
Minor], KFAC, June 27, 1973.
- [The African Choral Ballet, "Sadhji"], Business Men's Club
Luncheon, May 12, 1965.
- African Influences On American Music, with Verna Arvey,
Jefferson and Jordan High School, and Manual Arts High School,
Feb 17, 1960.
- African Music And Its Influence In The New World, Chadwick
School, July 30, 1961.
- Afro-Americans In The World Of Today, n.d.
- American Art And Culture: The Negro's Contribution, Irvine,
UCLA, San Diego, Riverside, Oct 24-27, 1966.
- American Music, Armed Forces Radio Service, July 12, 1945.
- American Music, Chadwick School, Apr 26, 1964.
- [American Music], Society for Visual Education, n.d.
- American Music, U.S.C., Apr 1, 1939.
- [American Music And The Standard Broadcasts], Oct 28, 1959.
- American Music Today, n.d.
- [ASCAP Awards], ASCAP West Coast Meeting, Sept 26, 1963.
- [Charles Wakefield Cadman], The Charles Wakefield Cadman
Memorial, Feb 22, 1970.
- [Communism In Music], KEEN, May 22, 1953.
- Communism In Music, San Jose, May 22, 1953.
- Complacency In Cultural Matters, n.d.
- The Composer's Creed, Music Teachers' Association of
California, July 16-20, 1961.
- The Composer's Creed, UCLA, May 29, 1963, and Jan 22, 1964.
- A Composer's Experiences, Texas Southern University, Feb
19, 1966.
- The Contemporary Composer And His Audience, University of
California at Berkeley, June 15, 1964.
- Contemporary Music And The Audiences Of Today, South Bay
Music Teachers' Association, May 7, 1961.
- Do We Have To Follow The Leader? Composer's Seminar, Apr
1968.
- [The Fight Against Stereotypes And Other Forms Of Cultural
Segregation], Allied Arts League, Sept 15, 1955.
- Folk Music Of The Western Hemisphere, n.d.
- [The Future Of Music Education For Young Americans], n.d.
- The History And Future Of Black-American Music Studies:
Practices And Potentials, condensed from the speech given at
Indiana University's Seminar on Black Music, June 21, 1969.
- [How Do You Go About The Business Of Composing Music?], n.d.
- [Ideas On Music And On Composing In General], Tremont High
School, June 5, 1964.
- [In Memoriam, Love Calls, And Others], Glendale College, Jan
13, 1960.
- The Influence Of African Music, UCLA, Apr 30, 1960.
- The Influence Of African Music On Music Of The Western
Hemisphere, 8th National UNESCO Conference, Oct 25, 1961.
- The Last Great Challenge On The Racial Front, South
Carolina State College, Apr 21, 1961; Texas Southern University,
Feb 17, 1966.
- Learning To Live Together, Conference on Science and
Religion, Sept 22, 1968.
- [LINKS Contributions To The Younger Generation], LINKS
Banquet, Nov 18, 1967.
- Music, A Vital Force In Race Relations, Sweetbriar and Old
Dominion Colleges, March 1971; Paine College, March 19, 1972;
American Association of University Women, Manhattan Beach
Chapter, April 11, 1972.
- Music For The Theatre, Grambling College, May 4, 1970.
- [Music In Performance], n.d.
- [Musical Opportunities], L.A. Philharmonic Youth Concerts,
May 1971.
- [My Experience At Composing], University of Washington, Apr
13, 1947.
- [My Experiences In American Music], California State College,
Dominguez Hills, Feb 7, 1967.
- [My Life As A Composer], General Audience, 1968.
- [My Musical Tribute To The United Nations: "The Peaceful
Land"], NFMC Annual Tribute to the U.N. over WNYC, Oct 21, 1961.
- [My Purpose In Composing Music], UCLA Neuropsychiatric
Institute, Mar 8, 1962.
Box 71
- The Negro Composer Today, NANM for Negro History Week,
1956.
- Negro Idiom In Music, UCI, Oct 24, 1966.
- [Negro Music], NANM Installataion of Officers, 1963.
- Negro Music, UCLA, July 22, 1969.
- [Negro Music: A Distinctive Contribution], Berkeley Church,
February, 15, 1970.
- Negro Music In The Americas, L.A. Museum, Nov 2, 1947.
- [Negro Musical Tradition], Pasadena Library, n.d.
- Notes On The Festive Overture, n.d.
- On Being A Composer, Junior High School Audiences, n.d.
- On Being A Negro Composer In America, Grambling College,
May 4, 1970.
- [On Being Of Value To People], APPA Luncheon, Feb 25, 1968.
- [On Being The Dean Of American Negro Composers], L.A. Board
of Education, Nov 1971.
- Our American Musical Resources, n.d.
- Our Role In A Changing World, San Francisco Negro
Historical and Cultural Society, June 14, 1964.
- [Peaceful Land Award], University of Miami, Oct 22, 1961.
- Presenting The American Composer, Mutual Network KHJ, Apr
1, 1938.
- The Professional Composer And His Contribution To The School
Music Repertoire, California State Music Educators' Conference,
Apr 11, 1960.
- [Program, Form, Orchestration, And Some Performances Of The
Afro-American Symphony], n.d.
- Remembering Arkansas, University of Arkansas, Mar 22, 1972.
- [The Serious American Composer], Sept 30, 1953.
- The Seven Wonders: The Wonder Of Music, St. Paul Lutheran
Church Missionary Society, Sept 27, 1964.
- Sharing The Nation's Cultural Life, n.d.
- Some Thoughts On Composing, San Jose City College, May 15,
1970.
- Some Thoughts On "Contemporary" Music, MTA Banquet, June
13, 1967.
- [The Story Of My Interest In The Harp], Harp Society in Los
Angeles, Jan 29, 1967.
- The Subversive Challenge To American Music, Saddleback
Yr's, May 15, 1971.
- Toward A Broader American Culture, American Symphony
Orchestra League Convention, June 17, 1954.
- [What Is A Composer?], NANM 44th Annual Convention, Aug 17,
1967.
Subseries 3. Manuscripts of articles,
books, short stories, and translations by Verna Arvey, 1953-1973.
Boxes 72-74.
Box 72 Articles.
- The Advantage Of A College Education, ca. 1958.
- ASCAP: What It Means To American Culture, n.d.
- Blazing A Trail Away From The Stereotype, n.d.
- By Himself, n.d.
- California Negro Leader Asks For Civil Alertness, n.d.
- Canada Welcomes The World, n.d.
- A City Realizes Its Musical Potential, [1965].
- Composer Celebrates Milestone, May 1965.
- Costaso (libretto), in addition there is an Italian
translation, n.d.
- The Cumbia, Strange Invocation To Love, n.d.
- A Dream Comes True In Redlands, n.d.
- First Lady Of The Negro Theatre, n.d.
- Form In Music: A Composer's Working Methods, n.d.
- Highway I, U.S.A. (libretto), in addition there is an
Italian translation, n.d.
- Hollywood Producer Makes Great Concession, No More Dialect
In Cartoon Book, n.d.
- Hollywood Writer Publishes Moving Poem, n.d.
- How Her Parents Guided A Gifted Daughter To Film Stardom,
n.d.
- How To Inspire Greatness In Your Husband, n.d.
- How To Listen To Music, n.d.
- In Full Consciousness, [1971].
- The Inheritance, n.d.
- Isaac H. McClelland, n.d.
- It Might Have Happened In Hollywood--Who Knows? n.d.
- It Takes Two To Make A Career, n.d.
- Jazz: Blessing Or Blight?, n.d.
- "Justine Crown Presents ...", [1973].
- King Henry's Extra Marital Moments, n.d.
- Lenox Ave, n.d.
- Leopold Stokowski, Unsung Pioneer, n.d.
- The Lifted Eyebrow Grinds No More Than A Personal Axe,
[1955].
- Meredith Willson, Iowa's Expatriated Composer, n.d.
- Mississippi Melody, n.d.
- A Mother's Dream Fulfilled In A Symphony, n.d.
- [Music And The Dance], Jan 1963.
- A Need For Monuments, Jan 1963.
- Negro Music And Its Impact On The World, Inter-Racial
Women's Club, Feb 5, 1964.
- New Musical Frontiers For The South, n.d.
- On Reaping The Rewards Of A Musical Career, n.d.
- The Perfect Squelch, [Nov 14, 1953].
- Proemio, n.d.
- Round Trip: Hollywood To New York To Moscow To Hollywood,
n.d.
- Success Comes To Negro Artist In New Field, n.d.
- Symphonies In Black, n.d.
- This Business Of Being A Serious Serious Composer, n.d.
- Toward A More Prosperous America, n.d.
- Using A Career For The Glory Of God, n.d.
- Vicki Baum Pens Warning To White Supremacists, n.d.
- We Threw The Books Away, [1955].
- Welcome To Hollywood! n.d.
- What Can They Tell Us, Those Spirits Who Have Never Been
Incarnate? n.d.
- When The Twain Meet, n.d.
- White Texas University Honors Colored Poet, n.d.
- Who Remembers Salieri? n.d.
- William Grant Still: His Significance For Negroes And To
American Music, [1962].
Box 73. Books.(Time For The Old Ox appears first because it
was the title of the first drafts that eventually became In One
Lifetime.)
- Time For The Old Ox, n.d.
- Time For The Old Ox, continued.
- Time For The Old Ox [crossed out], In One Lifetime, n.d.
(original title on typescript crossed out and replaced with new
title).
- Time For The Old Ox [crossed out], In One Lifetime,
continued.
- In One Lifetime, early drafts and letters, n.d.
- In One Lifetime, early draft, n.d.
- In One Lifetime, n.d.
- MU draft, n.d.
- [Notes and materials related to the biography of William
Grant Still], 1949, 1966, and n.d.
Box 74. Translations.
- Raffiche by Allessandro Ciardelli-Cerrai, translated by
Verna Arvey, [1932].
- Two Psychological Dramas (A. Centripetal B. Centrifugal) by
Alessandro Ciardelli-Cerrai, translated and adapted by Verna
Arvey, [1932].
- Two Psychological Dramas, continued.
- Two Psychological Dramas, continued.
Subseries 4. Manuscripts of speeches
and radio talks by Verna Arvey, 1939-1975. Box 74.
Box 74
- Afro-American Culture, The Ruskin Club of Los Angeles, Jan
18, 1939.
- Costaso Narration, n.d.
- Critics Sometimes ARE! n.d.
- The Devotion And Gaiety Of A People, n.d.
- Dust Made Precious, [Verna Arvey?], n.d.
- The Function Of The Library In Relation To Negro Music,
Southern California Music Library Association, Nov 1, 1969.
- Gateway To The Temple, n.d.
- [Greetings To Friends In Oakland], ca. 1975.
- History of Negro Music, n.d.
- Introducing The Professor, n.d.
- Music Of The Americas, Pacific Institute of Music and Fine
Art, Nov 21, 1937.
- Music Of The Two Americas, n.d.
- Negro Culture In Retrospect, Allied Arts League, Mar 15,
1942.
- Negro Dance And Its Influence On Negro Music, condensed
from the speech delivered by Verna Arvey at Indiana University's
seminar on black music, June 20, 1969.
- Path Of Glory, n.d.
- Rhapsody, n.d.
- Miscellaneous, n.d.
Subseries 5. Manuscripts of Judith
Anne Still Headlee, 1953-1957. Box 74.
Box 74
- As A Candle, n.d.
- Dolls, Apr 1953.
- From Composer To Composition: The Visionary Path, n.d.
- Secrets Of An Undersea Cave, ca. 1955.
- [Shape Of Tomorrow], Oct 1957.
Subseries 6. Manuscripts of others,
1937-1983. Box 75.
Box 75
- Alison, Iphigenia, [A Friendly Light Arising], n.d.
- Biography of William Grant Still, n.d.
- Brown, R. Donald, Negro Serious Music, Nov 13, 1967 and Dec
4, 1967.
- Brown, Ray Linda, Interview With Valter Poole, Apr 28,
1983.
- Campbelle, Margaret, [From A Kernal Of Rhythm], 1970.
- Chapin, Katherine Garrison, On A Cross Roads Tree, n.d.
(Lyrics for music by William Grant Still).
- Cleveland, June, When I Follow My Lord, n.d.
- A Confession, n.d.
- Crowell, Grace Noll, Friends Are Like Flowers, n.d.
- Dean, Eunice Davy, William Grant Still, n.d.
- Dorr, Donald, William Grant Still: Imperfect Wagnerite,
n.d.
- Dorr, Donald, [Woodville: Cultural Environment], n.d.
- Dorr, Donald, [Woodville: Economic And Racial Climate], n.d.
- Dorr, Donald, [Woodville: William Grant Still And Carrie
Fambro], n.d.
- Dupriez, Christian, Un Portrait De Compositeur William Grant
Still, June 11, 1950.
- Forsythe, Bruce, William Grant Still (A Study In
Contradictions), n.d.
- [From Radio Talk--Jan. 25], n.d.
- Harry T. Burleigh, n.d.
- Hines, Jerome, as told to Verna Arvey, On Preparing A New
Operatic Role, 1956.
- Ho Bisogno Di Una Donna, n.d.
- Holt, Nora, Still 'FIRST' To Conduct, n.d.
- Hughes, Langston, Dear Mr. President, n.d.
- Hughes, Langston, Domestic Happenings (Subject To Change
Without Notice), n.d.
- Hughes, Langston, [Madrid Cries No!], Sept 26, 1937.
- Hughes, Langston, To Wisdom, Refugee, n.d.
- [In Trying Times], [Feb 1938?].
- Johnson, M/Sgt. Alvin J., I Want To Be A True American,
n.d.
- [La Blew], Coda, n.d.
- Matthews, Miriam, Biographical Notes On William Grant Still
(1895-1978), Mar 11, 1978.
- Melodoscope, Mar 4, 1934.
- Mute, Mabel, Notes On Life Of William Grant Still, n.d.
- Pridgeon, Steven, Dang-Be', n.d.
- Redding, G., Blue Notes Of Music Genocide, n.d.
- Richards, Marie, Let Everyone Rejoice, 1948.
- Rochester, Laura Lee, [A Bayou Legend], July 22, 1980.
- Sheep And Goat, n.d.
- Song, n.d.
- Still, William Grant, n.d.
- Strong, Clara, Lullaby, n.d.
- Trask, Sherwood, An Indian Village, n.d.; Onward, [Nov
1935?]; A Youth Of The Ponca Sent For Word Of His Grandmother,
n.d.
- Troubled Island, n.d.
- Unterberg, Walter, A Program Of Twentieth Century Music,
n.d.
- William Grant Still, n.d.
- [William Grant Still And I Sprang From The Same Rich And
Common Soil Of Southwest Mississippi], n.d.
- Miscellaneous, n.d.
Return to "Contents of Group 2"
Return to Contents of
Collection
Series 2. Published articles by
William Grant Still, Verna Arvey, and Judith Anne Still Headlee,
1929-1986. Boxes 76-82.
This series contains published articles by William Grant Still,
Verna Arvey, and Judith Anne Still Headlee. Also included are
published articles and references to William Grant Still and
Verna Arvey.
Subseries 1. Published articles by
William Grant Still, 1932-1972. Box 76.
Box 76
- "An Afro-American Composer's Point Of View." American
Composers on American Music, 1933.
- "The American Composer." The Baton, March 1937.
- "American Music And The Well-Timed Sneer." Opera and
Concert, May 1948.
- "Art Songs By Black Americans." Stereo Review, Oct 1932.
- "Can Music Make A Career?" Negro Digest, December 1948.
- "The Composer Needs Determination And Faith." Etude,
January 1949.
- "A Composer's Viewpoint." Black Music in Our Culture, Kent
State University Press.
- "Does Interracial Marriage Succeed?" with Verna Arvey. Negro
Digest, April 1945.
- "For Finer Negro Music." Opportunity, May 1939.
- "How Do We Stand In Hollywood?"
- "The Men Behind American Music." The Crisis, January 1944.
- "Modern Composers Have Lost Their Audience: Why?" with Verna
Arvey. The Australian Musical News, July 1956.
- "Music, A Vital Factor In America's Racial Problems."
Australian Musical News and Digest, November 1, 1948.
- "La Musica De Mi Raza." Musica, Vol. 1, No. 5, August
1941.
- "My Arkansas Boyhood," by William Grant Still as told to
Verna Arvey. Arkansas Historical Quarterly, Autumn 1967.
- "The Negro And His Music." The War Worker, October 1943.
- "Negro Music In The Americas," with Verna Arvey. Revue
International De Musique, May-June 1938.
- "The Negro Musician In America." Music Educators Journal,
Vol. 56, No. 5, January 1970.
- "A Negro Symphony Orchestra." Opportunity, September 1939.
- "Our American Musical Resources," with Verna Arvey.
Showcase, Fall 1961.
- "Politics In Music." Opera and Concert, August 1947.
- "Progress In Music." The Courier, November 11, 1950.
- "Serious Music: New Field For The Negro," with Verna Arvey.
Variety, Vol. 197, No. 5, January 5, 1955 (OV-Box 1).
- "The Structure Of Music." Readings in Black American Music,
1972, and in Etude, March 1950.
- "A Symphony Of Dark Voices (An Informal Survey Of Negro Music
And Its Contribution To America)." Opera and Concert, May 1947.
- "Towards A Broader American Culture." Southwestern Composers
Journal.
- "Triunfo De La Musica Y Compositores De Color En El Ultimo
Cuarto De Siglo." Ritmo, December 1954.
- "Troubled History Of 'The Troubled Island.'" New York
Times, March 20, 1949.
- "Unsung Americans Sung," edited by W.C. Handy, reviewed by
William Grant Still. The Crisis, January 1945.
- "A Vital Factor In America's Racial Problem." Oberlin Alumni
Magazine, March 1950.
- "With And Without Honor." Music and Dance in California and
the West, Bureau Of Musical Research, Inc.
Subseries 2. Published articles by
Verna Arvey, 1929-1969. Boxes 77-81.
Box 77
- "About Vanishing India." The American Dancer, January 1932.
- "Adagio As An Art." The American Dancer, July 1930.
- "Afro-American Music Memo." Music Journal, November 1969.
- "American Music Abroad." Pacific Coast Musician, January 5,
1946.
- "American Music For American Public Schools," as told by
William C. Hartshorn to Verna Arvey. Pacific Coast Musician,
December 20, 1941.
- "Ancient Music And Dance In Modern Ceylon." Etude, October
1942.
- "Antonin Dvorak And American Music." Common Ground, Vol.
II, No. 2, Winter 1942.
- "Arna Bontemps, Who Recreates Significant Moments In
History." Opportunity, Summer 1944.
- "Artistry In A Little Theatre." Saturday Night, Vol. 15,
No. 6, November 3, 1934.
- "The Ballets Of William Grant Still." New Challenge, Fall
1937.
- "Beauty Of The Colombian Fandango." The American Dancer,
September 1932.
- "British Piano Music--Contemporary And Past." Opera and
Concert, Vol. 12, No. 10, October 1947.
- "Building A Career On Faith In America." Opera and Concert,
August 1947.
- "By Her Own Bootstraps." Opportunity, Winter 1944.
- "California's Early Orchestras And Choirs." The Music
World, Vol. 1, No. 3, August 1930.
- "California's Future In The Arts." Opera, Vol. 12, No. 11,
November 1947.
- "California's Musical Marvel." Etude, January 1935.
- "Carma Lita Maracci." Music and the Allied Arts, May 1935.
- "Charles Eaton Burch." Opportunity, August 1942.
- "Christmas With The Composers." Etude, December 1954.
- "The Cine In Latin America." Rob Wagner's Script, Vol. VII,
May 15, 1935.
- "A Comedienne Speaks Of The Dance." The American Dancer,
November 1930.
- "The Composer As Critic." Pacific Coast Musician, November
19, 1938.
- "The Composer In Hollywood." Musical America, November 10,
1936.
- "Comunismo En El Ambito Musical Norteamericano." Ritmo,
Vol. XXI, No. 235, April-May 1951.
- "A Contrast--Two American Dancers." The American Dancer,
July 1931.
- "Control, Not Grace RICHARD CROMWELL." The American Dancer,
September 1931.
- "The Convertible Bach." Music Forum and Digest, November
1949.
- "The Dance: A Preparation For Screen Success." The American
Dancer, September 1930.
- "The Dance And Poetry Playhouse." The American Dancer,
April 1932.
- "The Dance As The Accompanist Sees It." The American
Dancer, May 1929.
- "Dance For Beauty's Sake!" The American Dancer, January
1931.
- "A Dance Iconoclast." The American Dancer, May 1931.
- "A Dance Lover Becomes A Great Screen Actress." The American
Dancer, February 1930.
Box 78
- "Dance Music On India's Largest Island." Etude, January
1943.
- "The Dances Of Cuba And South America." The American
Dancer, May 1935.
- "Dancing For The Camera." The American Dancer, January
1936.
- "Dancing--The Great Great Medicine." The American Dancer,
March 1930.
- "David Contra Goliat." Ritmo, 1929.
- "Death Of The Etude." The Australian Musical News, August
1958.
- "Deems Taylor Talks Of Cabbages And Kings." Opera, Vol. 12,
No. 6, June 1947.
- "Denmark's Royalty Bows To The Ballet And Its Composers."
Etude, October 1952.
- "Dorati And Dallas Build For The Future." Opera and
Concert, Vol. 13, No. 1, January 1948.
- "Eleanora Flaige: The Dancer Divine." The American Dancer,
April 1930.
- "Even The Great Tremble." Opera, Vol. 12, No. 4, April
1947.
- "Expresses Dance Of America." The American Dancer, October
1932.
- "Famous Authors And Their Love For Music." Music and Dance,
February 1960.
- "Filling The Gaps In A Musical Education." Etude, November
1953.
- "Filmdom's Most Versatile Actor." The American Dancer,
December 1930.
- "First A Dancer, Then An Actress." The American Dancer,
October 1930.
- "A Friendly Actor: James Hall." The American Dancer, June
1931.
- "George Gershwin Through The Eyes Of A Friend." Opera and
Concert, Vol. 13, No. 4, April 1948.
- "Great Painters And The Art Of Music." Etude, November
1940.
- "Hall Johnson And His Choir." Opportunity, May 1941.
- "He Doesn't Dance Antonio Moreno." The American Dancer,
April 1931.
- "Hollywood Bowl's Successful Silver Jubilee Season." Opera,
Vol. 11, No. 10, October 1946.
- "How Mexico Dances." The American Dancer, June 1934.
- "How Much Of Dance Is Costume?" The American Dancer,
November 1931.
- "How Music Has Helped The Stars." Etude, October 1932.
- "How The Italians Photograph Dancing." The American Dancer,
February 1933.
- "How To Accompany For The Art Dance." Etude, April 1933.
- "Italian Piano Music, Past And Present." Musical Courier,
June 2, 1934 (OV-Box 1).
- "Italo Montemezzi." Opera and Concert, Vol. 13, No. 11,
November 1948.
- "Jorda Y Menuhin Hablan De Los Publicos Que Han Conocido." Ritmo,
1929.
- "Langston Hughes: Crusader." Opportunity, December 1940.
- "Leopold Stokowski: Great Friend Of Negro Music." Newspic,
February 1945.
Box 79
- "The Lerts (Cultural Assets From The Old World To The New)."
Opera and Concert, Vol. 13, No. 6, June 1948.
- "A Lesson In Audience Psychology." The American Dancer,
November 1932.
- "Lionel Barrymore Realizes A Secret Ambition." Opera, Vol.
11, No. 9, September 1946.
- "The Listener--The Forgotten Participant In Music." Parents
Bulletin, Spring 1960.
- "Los Angeles Moves Toward Cultural Goal." Opera and
Concert, Vol. 13, No. 8, August 1948.
- "Louis Gruenberg, Composer." Music Forum and Digest,
February 1950.
- "Lovely Conchita Dances." The American Dancer, October
1931.
- "Making National Dance History." Saturday Night, September
7, 1935.
- "Mattiwilda Dobbs...On How She Works." The Australian
Musical News, July 1959.
- "Mechanics Or Composers?" Musical Digest, November 1947.
- "Meeting Escudero Offstage." The American Dancer, December
1932.
- "Mexican Musical Memories." Opera and Concert, Vol. 13, No.
10, October 1948.
- "La Mexicana In New York." Rob Wagner's Script, Vol. 14,
September 21, 1935.
- "Mexico's Significance In Present Day Music." Etude,
February 1936.
- "Mi Ciudad Y Su Musica." Ritmo, 1929.
- "Mickey Mouse Goes To The Classics." The Music World, Vol.
2, No. 2, July 1931.
- "Modern Music And The American Composer." Pacific Coast
Musician, May 5, 1945.
- "Morning Glory." Music Unheard, 1939.
- "Music And Art With Your Mail." Opera and Concert, Vol. 12,
No. 12, December 1947.
- "Music--Cog In The Machinery For World Domination." American
Mercury, August 1954.
- "Music For The Marionette Theater." Etude, May 1937.
- "Music For The New Dance." The American Dancer, August
1932.
- "Music Of Worth To The Movies." Etude, July 1939.
- "Musical Potentialities In Cuba And South America." Musical
Courier, March 14, 1936 (OV-Box 1).
- "Music's Royal Heritage." Etude, February 1954.
Box 80
- "My Friend Suki." Now, March (incomplete).
- "My Long Life In The Dance," as told by A. Costume to Verna
Arvey. Topics of the Town, Vol. 2, No. 8, August 1931.
- "A New Artist Makes His Bow." The American Dancer, November
1929.
- "Nursing In Films." The Pacific Coast Journal of Nursing,
Vol. 31, No. 5, May 1935.
- "Old--New In The Ballroom." The American Dancer, February
1931.
- "Opportunities For The American Composer." Music and
Culture, November 1943.
- "Outstanding Achievements Of Negro Composers." Music and
Study, March 1942.
- "Ovations For Our Operas." Pacific Coast Musician, November
7, 1942.
- "Paige Speaks Of Broadcasting." Pacific Coast Musician,
October 2, 1937.
- "Paul Creston (His Music Sings Of America)." Music Forum and
Digest, October 1949.
- "Peter Pan Wants To Dance!" The American Dancer, August
1930.
- "Platform Showmanship In Piano-Playing." Etude, November
1933.
- "Present Day Musical Films And How They Are Made Possible."
Etude, January 1931.
- "Protect The American Indian." The American Dancer,
December 1931.
- "Proudly Singing Our Own Songs." Pacific Coast Musician,
April 17, 1943.
- "Puccini, The Prankster." Opera and Concert, Vol. 13, No.
9, September 1948.
- "The Queen Of Sheba Returns." The American Dancer, June
1932.
- "Ramon Novarro Is A True Artist." The American Dancer, June
1930.
Box 81
- "Religious Dance--And How It Is Used To Express Sacred
Themes." The American Dancer, June 1936.
- "Reviewing The English Morris Dance." The American Dancer,
March 1933.
- "Rewards Of A Successful Musical Career." Etude, July 1955.
- "Sargent Johnson." Opportunity, July 1939.
- "The Significance Of Composers In Hollywood." Pacific Coast
Musician, April 17, 1937.
- "Sing It In English If It's Written In English." Pacific
Coast Musician, January 1944.
- "Singers Must Dance Bebe Daniels Says." The American
Dancer, December 1929.
- "Still Opera Points The Way." Music Forum and Digest,
August 1949.
- "Tolerance." Opportunity, August 1940.
- "Traditions Of The Paris Opera." The American Dancer, July
1932.
- "Trio Music For Dancers." The American Dancer, January
1933.
- "Visiting Backstage With La Argentina." The American
Dancer, March 1931.
- "Visits To The Homes Of Famous Composers, No. XIII, George
Frederick McKay." Opera and Concert, May 1948.
- "Wailing Woman." Opportunity, February 1939.
- "The Way To Latin American Hearts." Opera, Vol. 12, No. 7,
July 1947.
- "W.G.S.: Creator Of Indigenous American Music." The
Chesterian, Vol. 20, No. 145, May-June 1939.
- "What Brings Them To Southern California." Opera and
Concert, Vol. 13, No. 7, July 1948.
- "What Is Commercial Music?" Pacific Coast Musician, July
20, 1940.
- "What Power Professional Criticism." Etude, May-June 1957.
- "What The Dancer Can Learn From The Actor." The American
Dancer, January 1930.
- "When Great Musicians Were Boys." The Music World,
September 1931.
- "Who Writes Movie Music?" The Southern California Music
Record, August 1, 1940.
- "With His Roots In The Soil." International Musician, July
1963.
- "Young Artist Finds An Unexpected Career." Opportunity,
Spring 1947.
- "Zemach Returns To New York." The American Dancer, December
1935.
Subseries 3. Published articles by
Judith Anne Still Headlee, 1970-1985. Box 81.
Box 81
- "Cadence." [ca. 1974].
- "Carrie Still Shepperson: The Hollows Of Her Footsteps."
- "The Citadel." Phi Delta Gamma Journal, May 1980.
- "Dining Out." Dawn, Vol. 5, No. 6, July 1978.
- "An Educational Approach To Negro Individualism." English
Journal, Vol. 59, No. 1, January 1970.
- "From Weasels To Whales." Phi Kappa Phi Journal, Summer
1974.
- "I Survived An Alaskan Breakup." The Link, Vol. 32, No. 2,
February 1974.
- "In Praise Of Prisms." Phi Delta Gamma Journal, June 1979.
- "Inside The Fan-Mail Factory." California Today, April 2,
1978.
- "Learning To Talk With Our Children." The Single Parent,
Vol. 18, No. 10, December 1974.
- "Let Grieving Go." The Single Parent, Vol. 18, No. 8,
October 1975.
- "The Negro And Free Enterprise: A March Forward Singly." The
Freeman, Vol. 35, No. 1, January 1985.
- "Patriotism: To Be Or Not To Be." The Freeman, Vol. 20, No.
7, July 1970.
- "Roxana: The Focus Of Mark Twain's Racial Understanding."
Phi Delta Gamma Journal, June 1974.
- "Violence As 'Free Expression.'" Phi Kappa Phi Journal,
Winter 1974.
- "A Voice High-Sounding..."
- "We, The Women." Phi Delta Gamma Journal, June 1978.
Subseries 4. Published articles and
references to William Grant Still and Verna Arvey, 1933-1986. Box
82.
Box 82
- American Composers on American Music. Cowell, Henry
(editor).
- Baldwin, Lillian. A Listener's Anthology of Music, New
York: Silver Burdett Company, Vol. II, 1948.
- Barlow, Harold, and Sam Morgenstern. A Dictionary of Musical
Themes, New York: Crown Publishers, 1948.
- Beaumont, Cyril W. Complete Book of Ballets, New York: G.P.
Putnam's Sons, 1938.
- The Black Music Center, Indiana University. The 1974 Black
Music Calendar.
- Calloway, Earl. "Black Music And Dance." The 1973 Compton
Yearbook.
- Carpenter, Paul S. Music: An Art and a Business, Norman:
University of Oklahoma Press, 1950.
- Carter, Madison H. An Annotated Catalog of Composers of
African Ancestry, New York: Vantage Press, 1986.
- Chase, Gilbert. America's Music, New York: McGraw-Hill Book
Company, Inc., 1955.
- Collaer, Paul. A History of Modern Music, New York: The
World Publishing Company, 1955.
- Directory of Fellows 1925-1967. John Guggenheim Memorial
Foundation, 1968.
- Directory of Fellows 1925-1974. John Guggenheim Memorial
Foundation, 1975.
- Dupriez, Christian. "Un Portrait De Compositeur." Micro
Magazine, June 11, 1950.
- The Edwin A. Fleisher Music Collection (Volumes I and II),
Philadelphia, 1933 and 1945.
- Emery, Lynne Fauley. Black Dance in the United States from
1619 to 1970, National Press Books, 1972.
- Hall, David. The Record Book (International Edition), New
York: Oliver Durrell, Inc., 1948.
- Hinson, Maurice. Guide to the Pianist's Repertoire, Indiana
University Press, 1973.
- Howard, John Tasker. Our Contemporary Composers, New York:
Thomas Y. Crowell Company, 1942.
- Hudgins, Mary D. "An Outstanding Arkansas Composer: William
Grant Still." Arkansas Historical Quarterly, Vol. 24, No. 4,
Winter 1965.
- Kamarck, Edward L. "The Arts And The Black Revolution." Arts
in Society, 1968.
- Kaufman, Schima. Everybody's Music, New York: Thomas Y.
Crowell Company, 1938.
- Kay, Ernest (editorial director). The World Who's Who of
Women, 1976.
- Kennan, Clara B. "The First Negro Teacher In Little Rock."
The Arkansas Historical Quarterly, Vol. 9, No. 3, Autumn 1950.
- The Library of Congress, "75 Years Of Freedom."
- "Mastery...William Grant Still." Tones and Overtones
Saluting Negro Composers, Spring 1954.
- Matthews, Miriam. "William Grant Still--Composer." Phylon,
1951.
- McKinney, Howard D. Music and Man, New York: American Book
Company, 1953.
- McNamara, Daniel I. The ASCAP Bibliographical Dictionary,
1948, 1952, 1966.
- Moldenhauer, Hans. Duo-Pianism, 1950.
- Moore, Elizabeth C. An Almanac for Music-Lovers, New York:
Henry Holt and Company, 1940.
- Mueller, John H. The American Symphony Orchestra, Indiana
University Press, 1951.
- Ortiz Oderigo, Nestor R. Panorama De La Musica
Afroamericana, 1944.
- Osgood, Henry O. This Is Jazz, Boston: Little, Brown, and
Company, 1926.
- Pan American Union. Compositores de America.
- Posell, Elsa Z. American Composers, Boston: Houghton
Mifflin Company, 1963.
- Reis, Claire R. American Composers, International Society
for Contemporary Music, September 1932.
- Reis, Claire R. Composers, Conductors, and Critics, New
York: Oxford University Press, 1955.
- Reis, Claire R. Composers in America, New York: MacMillan
Company, 1947.
- Ricordi, G.,and Company, Dizionario Ricordi della musica e
dei musicisti, 1959.
- Roach, Hildred. Black American Music: Past and Present,
Boston: Crescendo Publishing Co., 1973.
- Robinson, Louie. "38 Years Of Serious Music." Ebony,
February 1964.
- Rodriguez, Jose. Music and Dance in California, Bureau of
Musical Research, 1940.
- Rossi, Nick, and Robert A. Choate. Music of Our Time,
Boston: Crescendo Publishing Company, 1969.
- Russell, Florence. The Subject Is Singing, California:
Hwong Publishing Company, 1979.
- Sandved, Kjell Bloch. Musikkens Verden, 1951.
- Spaeth, Sigmund. A Guide to Great Orchestral Music, New
York: The Modern Library, 1943.
- Sprenger, Florence. Spirit of the Toilers, Texas: Taylor
Publishing Company, 1977.
- "Troubled Island," Our World, June 1949.
- Turner, Morrie. [William Grant Still Cartoon].
- Varese, Louise. Varese: A Looking-Glass Diary, Volume I,
1883-1928, New York: W.W. Norton and Company, Inc., 1972.
- "The William Grant Still Afro-American Symphony."
California's Crossroads, November 1963.
- Wilson, Carol Green. Arthur Fiedler: Music for the
Millions, New York: The Evans Publishing Company, 1968.
Return to "Contents of Group 2"
Return to Contents of
Collection
Series 3. Music research files, 1899-
1986. Boxes 83-87.
Subseries 1. Compositions by William
Grant Still, n.d. Box 83.
Box 83
- Africa
- Afro-American Symphony
- Los Alnados De Espana
- The American Scene
- And They Lynched Him On A Tree
- Archaic Ritual
- Aria
- A Bayou Legend
- Bells
- Black Bottom
- Can't You Line 'Em
- Caribbean Melodies
- Choreographic Prelude
- Christmas In The Western World
- Costaso
- Danzas De Panama
- Darker America
- A Deserted Plantation
- Dismal Swamp
- Ebon Chronicle
- Festive Overture
- Folk Suites, No. 1-5
- From A Lost Continent
- From The Black Belt
- From The Delta
- From The Hearts Of Women
- From The Journal Of A Wanderer
- From The Land Of Dreams
- La Guiablesse
- Highway I, U.S.A.
- In Memoriam: The Colored Soldiers Who Died For Democracy
- Incantation And Dance
- Kaintuck'
- Lenox Avenue
- Levee Land
- Little Folk Suite From The Western Hemisphere
- Little Red Schoolhouse
- The Little Song That Wanted To Be A Symphony
- Minette Fontaine
- Miniature Overture
- Miniatures
- Miss Sally's Party
- Mississippi
- Mota
- Old California
- Out Of The Silence
- Pages From Negro History
- Pastorela
- The Path Of Glory
- Patterns
- The Peaceful Land
- The Pillar
- Plain Chant For America
- Poem For Orchestra
- Preludes
- The Prince And The Mermaid
- A Psalm For The Living
- Rhapsody
- Rising Tide (Victory Tide)
- Sahdji
- Serenade
- Seven Traceries
- Song For The Lonely
- Song Of The Hunter
- Songs Of Separation
- A Southern Interlude
- Suite For Violin And Piano
- Summerland
- Symphony No. 2 (Song Of A New Race)
- Symphony No. 3 (The Sunday Symphony)
- Symphony No. 4 (Autochthonous)
- Symphony No. 5
- Those Who Wait
- Three Dances
- Three Visions
- Threnody--In Memory Of Jan Sibelius
- To You, America
- Toward Distant Shores
- Troubled Island
- Twelve Negro Spirituals
- Vignettes
- The Voice Of The Lord
- Winter's Approach
- Wood Notes
Subseries 2. Biographical,
performance programs, and other materials pertaining to William
Grant Still and/or Verna Arvey, 1921-1984. Box 84.
Box 84
- Biographical Material, Verna Arvey, ca. 1938.
- Biographical Material, William Grant Still, 1973, 1976, n.d.
- "Choreographic Music," materials pertaining to, Nov 20, 1935
- June 10, 1940.
- Performance Log, Oct 30, 1921 - Nov 2, 1980.
- Program Notes, 1964, 1970, n.d.
- Programs, Dec 4, 1932 - Aug 4, 1939.
- Programs, Mar 15, 1942 - Apr 17, 1947.
- Programs, May 22, 1953 - Feb 22, 1959.
- Programs, Feb 19, 1962 - May 4, 1968.
- Programs, Feb 15, 1970 - Dec 2, 1979.
- Programs, Jan 15, 1980 - Feb 15-19, 1984.
- Questionnaires, n.d.
- Scores, list of, 1958, 1963, 1968, 1973, n.d.
- Scores, miscellaneous photocopies of.
- Standard Broadcasts, n.d.
- Thematic Catalogue, n.d.
- Miscellaneous, fragments, n.d.
Subseries 3. General music research
files, 1936-1981. Boxes 85-86.
Box 85
- ASCAP, Oct 26, 1954 - Jan 1981, n.d.
- American Symphony Orchestra League Newsletter, Apr-May 1958 -
July 1960.
- Bibliography, n.d.
- Cadman, Charles Wakefield, June 10, 1942, n.d.
- Catalogues, 1936-1977, n.d.
- Columbia Broadcasting System, ca. 1938.
- Comments and Reviews, n.d.
- Competitions, Sept 24, 1947, May 1950, 1958, n.d.
- Composers, n.d.
- Composers Forum, 1961.
- Dillard University, May 4, 1969 - Nov 16, 1976.
- Downes, Olin, ca. 1950.
- Dupriez, Christian, 1950.
- Fischer, J., and Brother, Sept 1946, Apr-June 1951, Apr 4,
1964.
- The Ford Foundation, 1957-1958.
- The Fromm Music Foundation, 1972.
- Gilbert, L. Wolfe, n.d.
- Hammond, Bernice, May 21, 1949 - May 14, 1966, n.d.
- Handy, Antionette, July 1, 1956.
- Hughes, Langston, 1943, Sept 26, 1950.
- Inter-American Music Bulletin, Sept 1958 - Jan, Mar 1959.
- The Jubilee Singers, n.d.
- Lovingood, Penman, Nov 16, 1936, Mar 7, 1945.
- The MacDowell Colony and Festival, 1952, Sept 2, 3, 1969.
- McKay, Francis H., n.d.
- McKay, George Frederick, n.d.
- Music Evaluation Project, Mar 1962 - July 1963.
Box 86
- Music Projects, 1965-1968.
- Musical Arts, 1958.
- Musicians, list of, ca. 1950, n.d.
- Orchestra Music, list of, n.d.
- Organizations, 1938-1960, 1974, n.d.
- Pilcher, J. Mitchell, 1955, June 10, 1959, May 1968, n.d.
- Programs, A-C.
- Programs, F-L.
- Programs, M-P.
- Programs, R-Z.
- Publicity, A-F.
- Publicity, G-W.
- Studio Publicity Directors, list of, Apr 5, 1938.
- Theosophical Order of Service, Aug 23-28, 1963.
- Watts Community Symphony Orchestra, n.d.
- Young Audiences of Greater Los Angeles, Sept 1, 1968 - Apr
1975, n.d.
Subseries 4. Books, pamphlets, and
other sources used as musical inspiration, 1923-1964. Box
87.
Box 87
- Album Popular Mexicano Num. 2, Mexico, D.F.: A. Wagner y
Levien Sucs., S. en C., n.d.
- American Indian Rhapsody, by Preston Ware Orem on themes
recorded and suggested by Thurlow Lieurance, Philadelphia:
Theodore Presser, Company, 1918.
- Cancionero Mexicano, edited by Frances Toor, Mexico:
Mexican Folkways, 1931.
- Chansons De Quebec, notes and translations by Edith Fulton
Fowke and Richard Johnston, Waterloo, Ontario, Canada: Waterloo
Music Company Limited, 1958.
- Chanton Un Peu, selected and translated by Alan Mills,
Toronto, Canada: BMI Canada Limited, 1961.
- Folk Songs of Canada, edited by Edith Fulton Fowke and
Richard Johnston, Waterloo, Ontario, Canada: Waterloo Music
Company Limited, 1963.
- Mexican Folkways, Volumes 5-7, edited by Frances Toor and
Diego Rivera, Mexico City: Mexican Folkways, 1929-1932.
- Mexican Music, notes by Herbert Weinstock for concerts
arranged by Carlos Chavez, United States of America: Museum of
Modern Art, 1940.
- Music Section of the World's Great Madonnas, by Cynthia
Pearl Maus and Evelyn Lysle Fielding, New York: Harper and
Brothers, 1947.
- Music Therapy: Its Future, by Evelyn Benham Bull, Pasadena,
California: Evelyn Benham Bull, 1964.
- Negro Art Songs, by contemporary composers, compiled by
Edgar Rogie Clark, New York: Edward B. Marks Music Corporation,
1946.
- Recuerdo Latino-Americano (Memories of Latin America),
compiled and arranged by Irma Labastille, New York: Edward B.
Marks Music Corporation, 1943.
- Six Creole Folk-Songs, music arranged and translated by
Maude Cuney Hare, New York: Carl Fisher, 1931.
- Songs from Trinidad, collected and edited by Edric Connor,
London, Great Britain: Oxford University Press, 1958.
- Spanish Songs of Old California, collected and translated
by Charles F. Lummis, New York: G. Schirmer, 1923.
Return to "Contents of Group 2"
Return to Contents of
Collection
Series 4. General research files, 1899-
1978. Box 88.
Box 88
- Alfonso, Lydia, 1965.
- Allen, Nimrod, Apr 7-23, 1947 - Mar 17, 1954.
- American Jewish Committee, n.d.
- Baha'i, Apr 30, 1955, 1956, n.d
- Black Civilization and Education, Nov 1975.
- Black Silent Majority Committee, 1972, n.d.
- Charitable Foundations, list of, n.d.
- Christian Crusade, 1970.
- F.B.I., notes pertaining to, n.d.
- Heath-Lyons and Payton, Dec 15, 1936 - Dec 10, 1953, n.d.
- International Labor Defense, ca. 1944.
- Lantz, Walter, Oct 1946.
- Miscellaneous, 1943-1969, n.d.
- National Citizens' Committee for Fairness to the Presidency,
Jan 16, 1974.
- Negroes, list of, 1954-1955.
- The Open Door, Oct 1954-Feb 1955.
- Programs, abstracts of, Sept 1966, n.d.
- Reincarnation and Numerology, Mar 1899, Aug 16, 1907, Mar
1953, May 1979, n.d.
- The Symbionese Liberation Army, Feb 18, 1974.
- United States Citizens' Congress, Sept 13, 1974 - Jan, Feb
1978, n.d.
- Watkins, Sylvestre, n.d.
- What Your Dreams Meant, by Martini the Palmist, 1906
(William Grant Still's favorite dreambook).
- The Y Level, Christmas, 1943.
Return to "Contents of Group 2"
Return to Contents of
Collection
Series 5. Bibliography of books
(separated from the papers).
- Allen, Walter C. The Music of Fletcher Henderson and His
Musicians. Highland Park, N.J., 1973.
- American Composers' Concerts and Festivals of American
Music: 1925-1971 Cumulative Repertoire. New York, 1972.
- Beaumont, Cyril W. Complete Book of Ballets. New York: G.P.
Putnam's Sons, 1938.
- Carpenter, Paul S. Music: An Art and a Business. Norman:
University of Oklahoma Press, 1950.
- Carter, Madison H. An Annotated Catalog of Composers of
African Ancestry. New York: Vantage Press, 1986.
- Chase, Gilbert. America's Music: From the Pilgrims to the
Present. New York: McGraw-Hill Book Company, Inc., 1955.
- Colee, Nema Weathersby. Mississippi Music and Musicians.
Magnolia, Miss.: Prescott's Printery, 1948.
- Cowell, Henry, ed. American Composers on American Music.
Stanford, Cal.: Stanford University Press, 1933.
- Dale, Edgar. How to Appreciate Motion Pictures. New York:
The Macmillan Company, 1935.
- A Dictionary of Musical Themes. New York: Crown Publishers,
1948.
- Directory of Fellows 1925-1967. New York: John Simon
Guggenheim Memorial Foundation, 1968.
- Directory of Fellows 1925-1974. New York: John Simon
Guggenheim Memorial Foundation, 1975.
- Dixon, Christa. Negro Spirituals. Wuppertal, Jugenddienst-
Verlag, 1967.
- The Edwin A. Fleisher Collection of Orchestral Music in the
Free Library of Philadelphia. Philadelphia, 1945.
- The Edwin A. Fleisher Music Collection in the Free Library
of Philadelphia. Philadelphia, 1933.
- Emery, Lynne Fauley. Black Dance. Palo Alto, Cal.: National
Press Books, 1972.
- Foremost Women in Communications. New York: Foremost
Americans Publishing Corporation, 1970.
- Hinson, Maurice. Guide to the Pianist's Repertoire.
Bloomington: Indiana University Press, 1973.
- Howard, Tasker John. Our Contemporary Composers. New York:
Thomas Y. Crowell Company, 1942.
- Johnson, Carl. Whiteman, Paul. A Chronology (1890-1967).
Williamstown, Mass.: Williams College, 1977. (2 copies).
- The Lynn Farnol Group, Inc., ed. The ASCAP Biographical
Dictionary. New York: The American Society of Composers, Authors
and Publishers, 1966.
- McKinney, Howard D. Music and Man. New York: American Book
Company, 1948.
- McNamara, Daniel I. The ASCAP Biographical Dictionary. New
York: Thomas Y. Crowell Company, 1948.
- McNamara, Daniel I. The ASCAP Biographical Dictionary. New
York: Thomas Y. Crowell Company, 1952.
- Moldenhauer, Hans. Duo-Pianism. Chicago, Ill.: Chicago
Musical College Press, 1950. (Inscribed: "To William Grant Still
in admiration of his creative work, Hans Moldenhauer, November,
1957")
- Moore, Elizabeth C. An Almanac for Music-Lovers. New York:
Henry Holt and Company, 1940.
- Mueller, John H. The American Symphony Orchestra.
Bloomington: Indiana University Press, 1951.
- Osgood, O. Henry. So This Is Jazz. Boston: Little, Brown,
and Company, 1926.
- Posell, Elsa Z. American Composers. Boston: Houghton
Mifflin Company, 1963.
- Record, Wilson. The Negro and the Communist Party. Chapel
Hill: The University of North Carolina Press, 1951.
- Reis, Claire R. Composers, Conductors, and Critics. New
York: Oxford University Press, 1955.
- Reis, Claire. Composers in America. New York: The Macmillan
Company, 1938.
- Reis, Claire. Composers in America. New York: The Macmillan
Company, 1947.
- Riker, Charles. The Eastman School of Music. New York: The
University of Rochester, 1948.
- Roach, Hildred. Black American Music. Boston: Crescendo
Publishing Co., 1973.
- Rodriguez, Jose, ed. Music and Dance in California.
Hollywood: Bureau of Musical Research, 1940.
- Rossi, Nick. Music of Our Time. Boston: Crescendo
Publishing Company, 1969.
- Saunders, Richard Drake, ed. Music and Dance in California
and the West. Hollywood: Bureau of Musical Research, Inc., 1948.
- Slattery, Paul Harold. A Comparative Study of the First and
Fourth Symphonies of William Grant Still. Master of Arts Thesis,
Department of Music, San Jose State College, 1969.
- Spaeth, Sigmund. A Guide to Great Orchestral Music. New
York: The Modern Library, 1943.
- Varese, Louise. Varese: A Looking-Glass Diary. Volume 1:
1883-1928. New York: W.W. Norton and Company, Inc., 1972.
- Warch, Willard. Our First 100 Years. Oberlin, 1967.
- Wilson, Carol Green. Arthur Fiedler: Music for the
Millions. New York: The Evans Publishing Company, 1968.
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