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WILLIAM GRANT STILL AND VERNA ARVEY PAPERS

Manuscript Collection MC 1125

• Series 1. Musical scores and index, 1927-1972. Boxes 89-100.
  • Subseries 1. Scores for keyboard, including accordion, organ, and piano, 1936-1963. Box 89.
  • Subseries 2. Scores for voice or voices with piano, 1928-1971. Boxes 89-90.
  • Subseries 3. Scores for chamber music, 1941-1968. Box 91 and OV-Box 2.
  • Subseries 4. Scores for band, 1945, 1956. Box 92.
  • Subseries 5. Scores for orchestra with soloists and/or chorus, 1935-1967. Boxes 92-93.
  • Subseries 6. Scores for orchestra, 1928-1970. Boxes 93-95 and OV-Box 2.
  • Subseries 7. Scores for the stage, 1927-1965. Boxes 96-99.
  • Subseries 8. Scores of arrangements, orchestrations, and miscellaneous drafts, n.d. Box 100.
  • Musical Scores Index.
• Series 2. Musical scores of others, 1880-1973. Boxes 101-104.
• Series 3. Bibliography of sheet music (separated from the papers).
• Series 4. Discography of phonograph records (separated from the papers).
• Series 5. Audio tapes. Boxes 105-125.

Series 1. Musical scores and index, 1927-1972. Boxes 89-100.

The series is divided into scores for keyboard; voice or voices with piano; chamber music; band; orchestra with soloists or chorus; orchestra; the stage; and scores of arrangements, orchestrations, and miscellaneous drafts.

Subseries 1. Scores for keyboard, including accordion, organ, and piano, 1936-1963. Box 89.

Box 89

• ACCORDION
1. Aria, manuscript, 10 pp.; published score, 6 pp.; 1960.
2. Lilt, manuscript, 5 pp.; [1960].
   • ORGAN
3. Elegy, manuscript, 4 pp.; [1963].
4. Reverie, manuscript, 3 pp.; [1962].
5. Summerland (from Three Visions), arrangement for organ from Still's original composition, manuscript, 7 pp.; [1963].
   • PIANO
6. Five Animal Sketches, manuscript, 18 pp.; [1951].
7. Marionette, photocopy published score, 3 pp.; 1946.
8. Quit Dat Fool'nish, manuscript, 10 pp.; photocopy published score, 3 pp.; 1938.
9. Seven Traceries, manuscript, 44 pp.; photocopy manuscript score, 18 pp.; and photocopy published score, 24 pp.; 1940.
10. Swanee River, arrangement, photocopy published score, 2 pp.; 1939.
11. Three Visions, published score, 12 pp.; photocopy manuscript score, 9 pp.; 1936.

    Subseries 2. Scores for voice or voices with piano, 1928-1971. Boxes 89-90.

    Box 89

12. All That I Am, text by Verna Arvey, manuscript, 14 pp.; photocopy manuscript score, 6 pp.; 1965.
13. Bayou Home, text by Verna Arvey, manuscript, 19 pp.; copy manuscript score, 5 pp.; 1944.
14. The Breath Of A Rose, text by Langston Hughes, published score, 4 pp.; 1928.
15. Caribbean Melodies, text collected from several West Indian Islands by Zora Neale Hurston, manuscript, 57 pp.; [1941].
16. Carry Him Along, arrangement, photocopy published score, 6 pp.; 1945.
17. Citadel, text by Virginia Brasier, manuscript, 11 pp.; photocopy manuscript score, 3 pp.; 1956.
18. Ev'ry Time I Feel The Spirit, arrangement, manuscript, 4 pp.; n.d.
19. From The Hearts Of Women, text by Verna Arvey, manuscript, 35 pp.; photocopy manuscript score, 13 pp.; 1961.
20. God's Goin' To Set This World On Fire, arrangement, photocopy published score, 2 pp.; 1968.
21. Great Day, arrangement, photocopy published score, 2 pp.; n.d.
22. Grief, text by LeRoy V. Brant, published score, 2 pp.; 1955.
23. Gwine To Sing All Along De Way, arrangement, photocopy published score, 6 pp.; 1938.
24. Halleluiah 'Tis Done, arrangement, manuscript, 4 pp.; n.d.
25. Hard Trail, arrangement, manuscript, 3 pp.; n.d.
26. Here's One, arrangement, photocopy published score, 1 p.; photocopy transposed manuscript score, 3 pp.; 1941.
27. Holy Spirit Don't You Leave Me, arrangement, manuscript, 8 pp.; n.d.
28. I Feel Like My Time Ain't Long, arrangement, photocopy manuscript, 5 pp.; n.d.
29. Igama Lo Kusina, manuscript, 12 pp; n.d.
30. Is There Anybody Here? arrangement, photocopy published score, 3 pp.; 1956.

Box 90

1. Keep Me From Sinkin' Down, arrangement, photocopy published score, 4 pp.; 1938.
2. Lament, text by Verna Arvey, manuscript, 4 pp.; [1950].
3. Lawd, Ah Wants To Be A Christian, arrangement, published score, 4 pp.; 1938.
4. Little David, Play On Your Harp, arrangement, photocopy manuscript score, 5 pp.; n.d.
5. Men Of The Army, text by Verna Arvey, photocopy manuscript score, 7 pp.; n.d.
6. Minorities, text by Verna Arvey, photocopy manuscript score, 5 pp.; n.d.
7. Mississippi, text by Verna Arvey, manuscript, 20 pp.; photocopy manuscript score, 7 pp.; [1948].
8. My Brother American, text by Verna Arvey, manuscript, 3 pp.; photocopy manuscript score, 2 pp.; [1948].
9. Nigeria, We Hail Thee, manuscript, 11 pp.; n.d.
10. [Ohio, Ohio: Your Beacon Burns Brightly], manuscript, 4 pp.; n.d.
11. Rising Tide (also known as Victory Tide), text by Albert Stillman, manuscript, 20 pp.; published score (SATB), 7 pp.; published score (solo voice), 4 pp.; 1942.
12. Song For The Lonely, text by Verna Arvey, manuscript, 5 pp.; photocopy manuscript score, 2 pp.; [1953].
13. Song For The Valiant, text by Verna Arvey, manuscript, 26 pp.; published score, 6 pp.; 1952.
14. Song Of The Hunter, text by Verna Arvey, photocopy published score, 2 pp.; [1968].
15. Songs Of Separation, text by Arna Bontemps (Idolatry), Philippe-Thoby Marcelin (Poeme), Paul Laurence Dunbar (Parted), Countee Cullen (If You Should Go), Langston Hughes (A Black Pierrot), manuscript, 38 pp.; [1949].
16. Three Rhythmic Spirituals, arrangement, published score of Hard Trails, 6 pp.; photocopy published score of Holy Spirit, Don't You Leave Me and Lord I Looked Down The Road, 16 pp.; 1961.
17. Toward Distant Shores, text by Judith Anne Headlee, published score, 5 pp.; 1977.
18. Twelve Negro Spirituals, arrangement, published score (2 volumes), 101 pp.; 1937.
19. Up There, text by Verna Arvey, manuscript, 3 pp.; [1950].
20. The Voice Of The Lord, setting of Psalm 29, manuscript, 27 pp.; [1946].
21. We Sang Our Songs, text by Verna Arvey, manuscript, 29 pp.; photocopy manuscript score, 9 pp.; [1971].
22. Were You There, with Paul Hamill, arrangement, photocopy manuscript score, 6 pp.; n.d.
23. Your World, text by Georgia Douglas Johnson, manuscript, 15 pp.; photocopy published score, 7 pp.; [1968].

    Subseries 3. Scores for chamber music, 1941-1968. Box 91 and OV-Box 2.

    Box 90

24. Danzas De Panama, based on Panamanian folk themes collected by Elizabeth Waldo, string quartet or string orchestra, manuscript, 34 pp.; published score, 31 pp.; 1953.
25. Folk Suite No. 1, flute, piano, and string quartet, manuscript, 11 pp.; [1962].
26. Folk Suite No. 2, flute, clarinet, cello, and harp, manuscript, 20 pp.; photocopy manuscript score and instrumental parts, 17 pp.; [1962].
27. Folk Suite No. 3, flute, oboe, bassoon, and piano, manuscript, 12 pp.; [1962].
28. Folk Suite No. 4, flute, clarinet, cello, and piano, manuscript, 15 pp.; photocopy manuscript score and instrumental parts, 14 pp.; [1962].
29. Four Indigenous Portraits, string quartet and flute, manuscript, 10 pp.; photocopy parts, 46 pp.; [1957] (OV-Box 2).
30. Incantation And Dance, oboe and piano, manuscript, 13 pp.; 1941.
31. Little Folk Suite From The Western Hemisphere, brass quintet, manuscript, 4 pp.; photocopy manuscript score and instrumental parts, 9 pp.; [1968].
32. Little Folk Suite From The Western Hemisphere No. 1, string quartet, manuscript, 3 pp.; 1968.
33. Little Folk Suite From The Western Hemisphere No. 2, string quartet, manuscript, 8 pp.; 1968.
34. Little Folk Suite From The Western Hemisphere No. 3, string quartet, manuscript, 4 pp.; 1968.
35. Lyric Quartette, string quartet, manuscript, 33 pp.; photocopy manuscript score and instrumental parts, 33 pp.; 1960.

Box 91

1. Miniatures, based on folk tunes of the Western Hemisphere, flute, oboe, and piano, manuscript, 48 pp.; published score and instrumental parts, 26 pp.; 1963.
2. Pastorella, violin and piano, manuscript, 40 pp.; photocopy manuscript score and violin part, 19 pp.; 1966.
3. Romance, saxophone and piano, manuscript, 10 pp.; published score and saxophone part, 7 pp.; 1966.
4. Suite For Violin And Piano, manuscript, 39 pp.; published score and violin part, 38 pp.; 1945.
5. Vignettes, based on folk songs of the Americas, oboe, bassoon, and piano, manuscript, 29 pp.; [1962].

Subseries 4. Scores for band, 1945, 1956. Box 92.

Box 92

1. From The Delta, manuscript, 21 pp.; [1945].
2. To You, America, manuscript, 38 pp.; published score, 36 pp.; 1956.

   Subseries 5. Scores for orchestra with soloists and/or chorus, 1935-1967. Boxes 92-93.

   Box 92

3. And They Lynched Him On A Tree, text by Katherine Garrison Chapin, published score, 46 pp.; 1941.
4. The Black Man Dances, text by Bruce Forsythe, manuscript, 27 pp.; ca. 1935.
5. Christmas In The Western World (Las Pascuas), text and text adaptations by Verna Arvey, manuscript, 5 pp.; published score, 32 pp.; 1967.
6. Ennanga, manuscript, 66 pp.; [1956].
7. From A Lost Continent, manuscript, 61 pp.; [1948].
8. Gateway To The Temple, text by Verna Arvey, manuscript, 20 pp.; choral episode text, 4 pp.; n.d.
9. Kaintuck', manuscript, 36 pp.; photocopy manuscript score (two-piano version), 32 pp.; 1935.
10. The Little Song That Wanted To Be A Symphony, text by Verna Arvey, manuscript, 86 pp.; narration, 4 pp.; published scores (piano), 26 pp.; (full score), 37 pp.; 1954.

Box 93

1. The Path Of Glory, text by Verna Arvey, manuscript, 107 pp.; [1962].
2. Plain Chant For America, text by Katherine Garrison Chapin, manuscript, 56 pp.; published score, 14 pp.; 1941.
3. Rhapsody, text by Verna Arvey, manuscript, 50 pp.; [1955].
4. Song Of A City (also known as Rising Tide and Victory Tide), text by Albert Stillman, photocopy instrumental parts:
   • Violin I, 8 complete parts, 3 pp. each part.
   • Violin II, 7 complete parts, 3 pp. each part.
   • Viola, 6 complete parts, 3 pp. each part.
   • Cello, 5 complete parts, 3 pp. each part.
   • Bass, 4 complete parts, 2 pp. each part.
   • Flute I, 1 complete part, 2 pp.
   • Flute II, 1 complete part, 2 pp.
   • Flute III and Piccolo, 1 complete part, 2 pp.
   • Oboe I, 1 complete part, 2 pp.
   • Oboe II, 1 complete part, 2 pp.
   • English Horn, 1 complete part, 2 pp.
   • B [flat] Clarinet I, 1 complete part, 2 pp.
   • B [flat] Clarinet II, 1 complete part, 2 pp.
   • Bassoon I, 1 complete part, 2 pp.
   • Bassoon II, 1 complete part, 2 pp.
   • Horn I, 1 complete part, 2 pp.
   • Horn II, 1 complete part, 2 pp.
   • Horn III, 1 complete part, 2 pp.
   • Horn IV, 1 complete part, 2 pp.
   • B [flat] Trumpet I, 1 complete part, 2 pp.
   • B [flat] Trumpet II, 1 complete part, 2 pp.
   • B [flat] Trumpet III, 1 complete part, 2 pp.
   • Trombone I, 1 complete part, 2 pp.
   • Trombone II, 1 complete part, 1 p.
   • Trombone III, 1 complete part, 1 p.
   • Tuba, 1 complete part, 1 p.
   • Timpani, 1 complete part, 1 p.
   • Percussion, 3 complete parts, 3 pp. each.
   • Piano, 1 complete part, 4 pp.
   • Harp, 1 complete part, 2 pp.
5. Those Who Wait, text by Verna Arvey, manuscript, 65 pp.; narration text, 2 pp.; 1943.
6. Wailing Woman, text by Verna Arvey, manuscript, 31 pp.; copied manuscript score, 19 pp.; 1946.

   Subseries 6. Scores for orchestra, 1928-1970. Boxes 93-95 and OV-Box 2.

   Box 93

7. Africa, manuscript, 65 pp.; manuscript (piano solo arrangement), 26 pp.; [1928].
8. Afro-American Symphony, text by Paul Laurence Dunbar, manuscript, 13 pp.; published score, 71 pp.; [1930].
9. Afro-American Symphony, "Scherzo," text by Paul Laurence Dunbar, photocopy manuscript (two-piano score arranged by Verna Arvey), 17 pp.; published score (piano-conductor), 7 pp.
10. Afro-American Symphony, "Scherzo," text by Paul Laurence Dunbar, published instrument parts:
    • Violin I, 1 complete part, 2 pp.
    • Violin II, 1 complete part, 2 pp.
    • Viola, 4 complete parts, 2 pp., each part.
    • Cello, 3 complete parts, 2 pp.; each part.
    • Bass, 3 complete parts, 2 pp.; each part.
    • Flute, 3 complete parts, 2 pp.; each part.
    • Oboe, 3 complete parts, 2 pp.; each part.
    • B [flat] Clarinet I, 3 complete parts, 2 pp.; each part.
    • B [flat] Clarinet II, 4 complete parts, 2 pp.; each part.
    • B [flat] Tenor Saxophone, 3 complete parts, 2 pp.; each part.
    • E [flat] Alto Saxophone I, 4 complete parts, 2 pp.; each part.
    • E [flat] Alto Saxophone II, 4 complete parts, 2 pp.; each part.
    • Bassoon, 2 complete parts, 2 pp.
    • Horns I and II, 1 complete part, 2 pp.
    • B [flat] Trumpet I, 3 complete parts, 2 pp.; each part.
    • B [flat] Trumpet II, 3 complete parts, 2 pp.; each part.
    • Trombone, 2 complete parts, 2 pp.; each part.
    • Tenor Banjo, 1 complete part, 1 p.
    • Percussion, 1 complete part, 1 p.

Box 94

1. The American Scene, manuscript, 66 pp.; [1957].
2. Archaic Ritual, manuscript, 42 pp.; 1946.
3. Bells, manuscript 18 pp.; published score, 21 pp.; 1944.
4. Can't You Line 'Em, based on a Negro folk melody from the collection of John A. and Alan Lomax, manuscript 15 pp.; [1940].
5. Choreographic Prelude, manuscript, 15 pp.; [1970].
6. Dismal Swamp, manuscript, 24 pp.; 1935.
7. Ebon Chronicle, manuscript, 13 pp.; manuscript score, 23 pp.; 1934.
8. Fanfare For American War Heroes, manuscript, 6 pp.; [1943].
9. Fanfare For The 99th Fighter Squadron, photocopy manuscript score and instrumental parts, 8 pp.; 1945.
10. Festive Overture, manuscript, 35 pp.; 1944.
11. In Memoriam: The Colored Soldiers Who Died For Democracy, manuscript, 14 pp.; published score, 16 pp.; 1943.
12. Legend, manuscript, 24 pp.; 1959.
13. Little Red Schoolhouse, adapted from Pages From A Mother's Diary, manuscript, 42 pp.; 1953, [1957].
14. Miniature Overture, manuscript, 6 pp.; [1965].
15. Old California, manuscript for orchestra, 20 pp.; manuscript for band, 25 pp.; [1941].
16. Pages From Negro History, manuscript, 34 pp.; 1943.

Box 95

1. Patterns, manuscript, 16 pp.; [1960].
2. The Peaceful Land, manuscript, 10 pp.; [1960].
3. Poem For Orchestra, manuscript, 32 pp.; [1944].
4. Preludes, manuscript, 66 pp.; orchestral and piano part, 30 pp.; piano score, 20 pp.; [1962].
5. A Psalm For The Living, manuscript, 20 pp.; [1954].
6. Symphony No. 2 In G Minor (Song Of A New Race), manuscript, 82 pp.; [1937].
7. Symphony No. 2 In G Minor (Song Of A New Race), revised version, photocopy manuscript score, 101 pp.; [1937] (OV- Box 2).
8. Symphony No. 2 In G Minor (Song Of A New Race), revised version, photocopy manuscript parts, [1937] (OV-Box 2).
   • Violin I, 1 complete part, 12 pp.
   • Violin II, 1 complete part, 9 pp.
   • Viola, 1 complete part, 9 pp.
   • Cello, 1 complete part, 9 pp.
   • Bass, 1 complete part, 8 pp.
   • Flute I, 1 complete part, 9 pp.
   • Flute II, 1 complete part, 6 pp.
   • Flute III and Piccolo, 1 complete part, 7 pp.
   • Oboe I, 1 complete part, 5 pp.
   • Oboe II, 1 complete part, 4 pp.
   • English Horn, 1 complete part, 4 pp.
   • Clarinet I, 1 complete part, 7 pp.
   • Clarinet II, 1 complete part, 7 pp.
   • B [flat] Bass Clarinet, 1 complete part, 5 pp.
   • Bassoon I, 1 complete part, 5 pp.
   • Bassoon II, 1 complete part, 6 pp.
   • Horn I, 1 complete part, 5 pp.
   • Horn II, 1 complete part, 4 pp.
   • Horn III, 1 complete part, 4 pp.
   • Horn IV in F, 1 complete part, 4 pp.
   • Trumpet I, 1 complete part, 4 pp.
   • B [flat] Trumpet II, 1 complete part, 4 pp.
   • B [flat] Trumpet III, 1 complete part, 4 pp.
   • Trombone I, 1 complete part, 4 pp.
   • Trombone II, 1 complete part, 4 pp.
   • Trombone III, 1 complete part, 3 pp.
   • Tuba, 1 complete part, 4 pp.
   • Timpani, 1 complete part, 2 pp.
   • Percussion 1 complete part, 4 pp.
   • Celesta, 1 complete part, 2 pp.
   • Harp, 1 complete part, 8 pp.
9. Symphony No. 3 (The Sunday Symphony), photocopy orchestral score, [1958], 52 pp. (OV-Box 2).
   • Violin I, 1 complete part, 6 pp.
   • Violin II, 1 complete part, 6 pp.
   • Viola, 1 complete part, 6 pp.
   • Cello, 1 complete part, 6 pp.
   • Bass, 1 complete part, 4 pp.
   • Flute I, 1 complete part, 5 pp.
   • Flute II, 1 complete part, 5 pp.
   • Flute III, and Piccolo, 1 complete part, 4 pp.
   • Oboe I, 1 complete part, 4 pp.
   • Oboe II, 1 complete part, 4 pp.
   • English Horn, 1 complete part, 4 pp.
   • B [flat] Clarinet I, 1 complete part, 5 pp.
   • B [flat] Clarinet II, 1 complete part, 5 pp.
   • B [flat] Bass Clarinet, 1 complete part, 3 pp.
   • Bassoon I, 1 complete part, 4 pp.
   • Bassoon II, 1 complete part, 4 pp.
   • Horn I, 1 complete part, 3 pp.
   • Horn II, 1 complete part, 3 pp.
   • Horn III, 1 complete part, 3 pp.
   • Horn IV, 1 complete part, 3 pp.
   • B [flat] Trumpet I, 1 complete part, 3 pp.
   • B [flat] Trumpet II, 1 complete part, 3 pp.
   • B [flat] Trumpet III, 1 complete part, 3 pp.
   • Trombone I, 1 complete part, 3 pp.
   • Trombone II, 1 complete part, 3 pp.
   • Trombone III, 1 complete part, 3 pp.
   • Tuba, 1 complete part, 3 pp.
   • Timpani, 1 complete part, 3 pp.
   • Percussion, 1 complete part, 5 pp.
   • Celesta, 1 complete part , 2 pp.
   • Harp, 1 complete part, 6 pp.
10. Symphony No. 4 (Autochthonous), manuscript, 59 pp.; 1947.
11. Symphony No. 5 (Western Hemisphere), manuscript, 12 pp.; [1945].
12. Threnody: In Memory Of Jan Sibelius, manuscript, 12 pp.; 1965.
13. Woodnotes, suggested by text by J. Mitchell Pilcher, manuscript, 46 pp.; [1947].

Subseries 7. Scores for the stage, 1927-1965. Boxes 96-99.

Box 96

1. A Bayou Legend, text by Verna Arvey, manuscript, 180 pp.; [1941].
2. Costaso, text by Verna Arvey, manuscript, 352 pp.; [1950].
3. Costaso, continued.
4. La Guiablesse, scenario by Ruth Page, manuscript, 143 pp.; revised 1944 manuscript, 50 pp.; copied piano score, 38 pp.; [1927].
5. La Guiablesse, continued.

Box 97

1. Lenox Avenue, scenario by Verna Arvey, manuscript, 156 pp.; scenario text and choreographic diagrams, 28 pp.; published score, 41 pp.; "Blues" score and instrumental parts, 22 pp.; "Blues" arranged for piano and violin by Louis Kaufman, 5 pp.; [1937].
2. Lenox Avenue, continued.
3. Minette Fontaine, libretto by Verna Arvey, manuscript, 220 pp.; [1958].
4. Minette Fontaine, continued.
5. Miss Sally's Party, scenario by Verna Arvey, manuscript, 33 pp.; [1940].

Box 98

1. Mota, libretto by Verna Arvey, manuscript, 420 pp.; [1951].
2. Mota, continued.
3. The Negro In America (A Revue of The Race), (also known as From The Furnace Of The Sun), libretto by Sherwood Trask, manuscript, 32 pp.; libretto, 200 pp.
4. The Pillar, libretto by Verna Arvey, manuscript, 219 pp.; [1956].

Box 99

1. The Prince And The Mermaid (incidental music), play by Carol Stone, manuscript, 16 pp.; libretto, 64 pp.; [1965].
2. Sahdji, scenario by Alain Locke and Richard Bruce, manuscript, 241 pp.; scenario text and choreographic diagrams, 10 pp.; "final revision" manuscript, 82 pp.; [1930].
3. Sahdji, continued.
4. The Sorcerer (Fantastic Scene For Pantomimists And Dancers), scenario by Bruce Forsythe, manuscript, 28 pp.; manuscript score, 17 pp.
5. A Southern Interlude (also known as Highway I, U.S.A.), libretto by Verna Arvey, manuscript, 252 pp.; libretto synopsis, 12 pp.; [1943].
6. A Southern Interlude, continued.
7. Troubled Island, libretto by Langston Hughes with additional text by Verna Arvey, manuscript 29 pp.; scenario, 4 pp.; [1941].

Subseries 8. Scores of arrangements, orchestrations, and miscellaneous drafts, n.d. Box 100.

Box 100

• ARRANGEMENTS
1. Arrangements of popular songs and spirituals, manuscript list of songs and fragments, 10 pp.; arrangements:
   • The Blind Man Stood On The Road And Cried, 4 pp.
   • Deep River, 4 pp.
   • Finale, 10 pp.
   • Get On Board, 4 pp.
   • He Rose, 2 pp.
   • I'm Goin' Where Nobody Knows My Name, 1 p.
   • Jesus Is A Rock In The Weary Land, 3 pp.
   • Love Will Find An..., 1 p.
   • Medley, 5 pp.
   • Medley (We Are Climbing Jacob's Ladder and Little David Play On Your Harp), 6 pp.
   • Motherless Child, 3 pp.
   • My Name, 3 pp.
   • Nobody Knows The Trouble I've Seen, 2 pp.
   • Oh! Dem Golden Slippers, 2 pp.
   • St. Louis Blues, 9 pp.
   • Slave Song, 1 p.
   • Some Of These Days, 3 pp.
   • Song Of The Riverman, 1 p.
   • Were You There, 3 pp.
   • What A Morning, 1 p.
2. Arrangement, notations for Dances In The Canebrakes, by Florence B. Price, photocopy published score, 13 pp.; n.d.
   • ORCHESTRATIONS
3. Orchestration of Yamekraw by James P. Johnson, photocopy published score and instrumental parts, 64 pp.; n.d.
   • SKETCHES, DRAFTS, AND THEMES
4. University Music Books (two books), manuscript sketch books, 87 pp.; n.d.
5. Themes, drafts, and sketches, manuscript, 61 pp.; n.d.

Musical Scores Index.

• Africa, 6-93-7
• Afro-American Symphony, 6-93-8, 6-93-9, 6-93-10
• All That I Am, 2-89-12
• The American Scene, 6-94-1
• And They Lynched Him On A Tree, 5-92-3
• Archaic Ritual, 6-94-2
• Aria, 1-89-1
• Arrangement of popular songs and spirituals, 8-100-1
• Bayou Home, 2-89-13
• A Bayou Legend, 7-96-1
• Bells, 6-94-3
• The Black Man Dances, 5-92-4
• The Breath Of A Rose, 2-89-14
• Can't You Line 'Em, 6-94-4
• Caribbean Melodies, 2-89-15
• Carry Him Along, 2-89-16
• Choreographic Prelude, 6-94-5
• Christmas In The Western World (Las Pascuas), 5-92-5
• Citadel, 2-89-17
• Costaso, 7-96-2, 7-96-3
• Dance In The Canebrakes by Florence Price, arrangement, notations for, 8-100-2
• Danzas De Panama, 3-91-1
• Dismal Swamp, 6-94-6
• Ebon Chronicle, 6-94-7
• Elegy, 1-89-3
• Ennanga, 5-92-6
• Ev'ry Time I Feel The Spirit, 2-89-18
• Fanfare For American War Heroes, 6-94-8
• Fanfare For The 99th Fighter Squadron, 6-94-9
• Festive Overture, 6-94-10
• Five Animal Sketches, 1-89-6
• Folk Suite No. 1, 3-91-2
• Folk Suite No. 2, 3-91-3
• Folk Suite No. 3, 3-91-4
• Folk Suite No. 4, 3-91-5
• Four Indigenous Portraits, 3-91-6
• From A Lost Continent, 5-92-7
• From The Delta, 4-92-1
• From The Hearts Of Women, 2-89-19
• Gateway To The Temple, 5-92-8
• God's Goin' To Set This World On Fire, 2-89-20
• Great Day, 2-89-21
• Grief, 2-89-22
• La Guiablesse, 7-96-4, 7-96-5
• Gwine To Sing All Along The Way, 2-89-23
• Halleluiah 'Tis Done, 2-89-24
• Hard Trail, 2-89-25
• Here's One, 2-89-26
• Highway I, U.S.A., 7-99-5, 7-99-6
• Holy Spirit Don't You Leave Me, 2-89-27
• I Feel Like My Time Ain't Long, 2-89-28
• Igama Lo Kusina, 2-89-29
• In Memoriam: The Colored Soldiers Who Died For Democracy, 6- 94-11
• Incantation And Dance, 3-91-7
• Is There Anybody Here?, 2-89-30
• Kaintuck', 5-92-9
• Keep Me From Sinkin' Down, 2-90-1
• Lament, 2-90-2
• Lawd, Ah Wants To Be A Christian, 2-90-3
• Legend, 6-94-12
• Lenox Avenue, 7-97-1, 7-97-2
• Lilt, 1-89-2
• Little David, Play On Your Harp, 2-90-4
• Little Folk Suite From The Western Hemisphere , 3-91-8
• Little Folk Suite From The Western Hemisphere No. 1, 3-91-9
• Little Folk Suite From The Western Hemisphere No. 2, 3-91-10
• Little Folk Suite From The Western Hemisphere No. 3, 3-91-11
• Little Red Schoolhouse, 6-94-13
• The Little Song That Wanted To Be A Symphony, 5-92-10
• Lyric Quartette, 3-91-12
• Marionette, 1-89-7
• Men Of The Army, 2-90-5
• Minette Fontaine, 7-97-3, 7-97-4
• Miniature Overture, 6-94-14
• Miniatures, 3-91-13
• Minorities, 2-90-6
• Miss Sally's Party, 7-97-5
• Mississippi, 2-90-6
• My Brother American, 2-90-8
• Nigeria, 2-90-9
• [Ohio, Ohio: Your Beacon Burns Brightly], 2-90-10
• Old California, 6-94-15
• Pages From Negro History, 6-94-16
• Pastorella, 3-91-14
• The Path Of Glory, 5-93-2
• Patterns, 6-95-1
• The Peaceful Land, 6-95-2
• Plain Chant For America, 5-93-3
• Poem For Orchestra, 6-95-3
• Preludes, 6-95-4
• The Prince And The Mermaid, 7-99-1
• A Psalm For The Living, 6-95-5
• Quit Dat Fool'nish, 1-89-8
• Reverie, 1-89-4
• Rhapsody, 5-93-4
• Rising Tide, 2-90-11
• Romance, 3-91-15
• Sahdji, 7-99-2, 7-99-3
• Seven Traceries , 1-89-9
• Song For The Lonely, 2-90-12
• Song For The Valiant, 2-90-13
• Song Of A City, 5-93-1
• Song Of The Hunter, 2-90-14
• Songs Of Separation, 2-90-15
• The Sorcerer, 7-99-4
• A Southern Interlude, 7-99-5, 7-99-6
• Suite For Violin And Piano, 3-91-16
• Summerland, 1-89-5
• Swanee River, 1-89-10
• Symphony No. 2 In G Minor, 6-95-6, 6-95-7, 6-95-8
• Symphony No. 3 (The Sunday Symphony), 6-95-9, 6-95-10
• Symphony No. 4 (Autochthonous), 6-95-10
• Symphony No. 5 (Western Hemisphere), 6-95-11
• Themes, drafts, and sketches, 8-100-5
• Those Who Wait, 5-93-5
• Three Rhythmic Spirituals, 2-90-16
• Three Visions, 1-89-11
• Threnody: In Memory Of Jan Sibelius, 6-95-12
• To You, America, 4-92-2
• Toward Distant Shores, 2-90-17
• Troubled Island, 7-99-7
• Twelve Negro Spirituals, 2-90-18
• University Music Books, 8-100-4
• Up There, 2-90-19
• Victory Tide, 2-90-11
• Vignettes, 3-91-17
• The Voice Of The Lord, 2-90-20
• Wailing Woman, 5-93-6
• We Sang Our Songs, 2-90-21
• Were You There, 2-90-22
• Woodnotes, 6-95-14
• Yamekraw by James P. Johnson, Orchestration of, 8-100-3
• Your World, 2-90-23

Series 2. Musical scores of others, 1880-1973. Boxes 101-104.

Box 101

• Adler, Irene, text by Irene Adler, I Think I'll Just Marry You, 1925.
• Adonais, n.d.
• Ager, Milton, text by Jack Yellen, Have You Forgotten? 1926.
• Ahlert, Fred E., text by Roy Turk, Why Dance? 1931.
• Akst, Harry, text by Joe Young, I Can't Get Mississippi Off My Mind, 1931; text by Sam M. Lewis, and Joe Young, Dinah, 1925.
• Arteaga, D., text by W.C. Handy, Negrita, 1935.
• Ballantine, Edward, Variations On "Mary Had A Little Lamb,"1924.
• Banker, Les, Joe Young, and John Siras, text by Les Banker, Joe Young, and John Siras, The Cubalero, 1931.
• Barris, Harry, text by Harry Tobias and Bing Crosby, At Your Command, 1931.
• Berger, Rodolphe, Amoureuse, 1900.
• Bernard, Felix, and Al Hoffman, text by Herb Magidson, What Am I Going To Do For Loving? 1931.
• Blake, Eubie, Blue Classique, 1939.
• Bland, James A., text by James A. Bland, In The Evening By The Moonlight, 1880.
• Boatner, Edward, narration by Rudolf Schramm, Freedom Suite, 1966.
• Bock, Fred, text from Exodus 15:1-13, Song Of Triumph, 1966 (autographed copy).
• Bolin, Nick, text by Eve Parshalle, The California Valse, 1965.
• Brant, LeRoy V., text by LeRoy V. Brant, Lo! Here A Babe, n.d.; text by Margarret de Vesci, The Shepherd Lord, 1960.
• Brant, Ruth Verne, text by Ruth Verne Brant, Three Kings, 1968.
• Brown, Nacio Herb, The Doll Dance, 1926; text by Grant Clarke, Avalon Town, 1928; text by Arthur Freed, Love Songs Of The Nile, 1933.
• Burke, Joe, text by Al Dubin, The Gold Diggers of Broadway, 1929.
• Cadman, Charles Wakefield, tone-drama for violoncello and piano, A Mad Empress Remembers, 1945 (autographed copy); text by Nelle Richmond Eberhart, Spring Song Of The Robin Woman, 1918; text by Tsianina, My Mother Taught Me How To Pray, 1945 (autographed copy).
• Carpenter, John Alden, Concertino, 1920; text by Langston Hughes, Four Negro Songs, 1927 (autographed copy from Langston Hughes).
• Carrillo, Julian, Six Preludes For Piano, 1928 (autographed copy).
• Castelluci, Louis, text by Charles N. Fielder, La Serenata De La Fiesta, 1931.
• Chabiel, Christine Marie, text by Christine Marie Chabiel, The Mystic Stable, 1962.
• Chadwick, G.W., text by David Stevens, The Voice Of Philomel, 1914.
• Coleridge-Taylor, Samuel, transcription of Sometimes I Feel Like A Motherless Child, 1905.
• Collins, Carrie B.H., text by Carrie B.H. Collins, Two Hundred Years Ago, 1975.
• Confrey, Zez, Kitten On The Keys, 1921.
• Cooke, James Francis, Havana Nights, 1928 (autographed copy).
• Cooper, Bud, Nick Lucas, and Sam H. Stept, text by Bud Cooper, Nick Lucas, and Sam H. Stept, Beside A Lazy Stream, 1928.
• Cowan, Lynn, text by Earle Foxe, Hollywood, 1929.
• Cowell, Henry, The Banshee, 1930.
• Culley, Jack, Jimmy McHugh, and Irving Mills, text by Jack Culley, Jimmy McHugh, and Irving Mills, I Got A Mama Down In New Orleans, Another Mama Up In Maine, 1926.
• Danz, Louis, Harlem, 1929.
• David, Lee, text by Billy Rose, Tonight You Belong To Me, 1926; and Con Conrad, text by Benny Davis and Con Conrad, Lonesome And Sorry, 1926; and Jesse Greer, text by Benny Davis and Jesse Greer, Sleepy Head, 1926; and Joe Burke, text by Benny Davis and Joe Burke, If You Miss Me As I Miss You, 1926.
• Dee, Jerry, text by William Indelli, Brave Hearts Of America, 1963 (autographed copy and note from Bill Indelli).
• Delano, Nick, text by J. Maloy Roach, Handy Really Is A Travelin' Man, 1952.
• Delius, Frederick, Dance For Harpsichord, 1922.
• Dettmer, Herman, text by Herman Dettmer, Love's First Dream, 1934.
• Donaldson, Walter, text by Edgar Leslie, If We Never Should Meet Again, 1929; text by Edgar Leslie, Romance, 1929; text by Gus Kahn, Love Me Or Leave Me, 1928; text by Walter Donaldson, Little Hunka Love, 1931; text by Walter Donaldson, Where'd You Get Those Eyes? 1926; text by Walter Donaldson, You're Driving Me Crazy! 1930; text by William Jerome, Just Try To Picture Me Down Home In Tennessee, 1915.
• Drake, Milton, Walter Kent, and Terry Shand, text by Milton Drake, Walter Kent, and Terry Shand, Where I Wonder Where, 1932.
• Driscoll, John, Emmett Sullivan, and Joe Goodwin, text by John Driscoll, Emmett Sullivan, and Joe Goodwin, Sentimental Rose, 1936.
• Dupriez, Christian, Debut de "Melusine," and other quotations from Dupriez, 1940, 1942 (manuscript).
• Elbel, Bob and Don, text by Bob and Don Elbel, Sorry And Blue, 1925.
• Erickson, Libbie, Trixy, 1904.
• Evanti, Lillian, text author unknown, God's Promise, 1948; text by Georgia Douglas Johnson, Dedication, 1948; text by John Gillespie Magee, Jr., High Flight, 1948; text by Lillian Evanti, Thank You Again And Again, 1948.

Box 102

• Fahnestock, Karol, text by Eve Merriam, The Carpenter In Alabama, n.d. (manuscript).
• Farris, Lora McMinn, California Poppy, 1922.
• Fields, Buddy, Jack Gardner, and Paul Ash, text by Buddy Fields, You're Wonderful, 1928.
• Fiorito, Ted, text by Gus Kahn, Sweet Southern Breeze, 1926.
• Foley, Dennis, text by Vincent L. Kessler, Beneath The Redwoods And The Western Sky, 1932.
• Friend, Cliff, Sidney Clare, and Joe Santly, text by Cliff Friend, Sidney Clare, and Joe Santly, The Big Butter And Egg Man, 1924.
• Gallagher, Edward, text by Al Shean, Oh! Mister Gallagher And Mister Shean, 1922.
• Garman, William McKinley, If I Only Had My Way, 1924 (autographed copy); Mist, 1930 (autographed copy); Skipping Up The Stairs, 1930; text by William McKinley Garman, I'm Satisfied, 1926.
• Gaskill, Clarence, text by Clarence Gaskill, Waltzing The Blues, 1922.
• Gillock, William L. (Bill), Nocturne, 1941 (autographed copy); Starlight Waltz, 1954 (autographed copy); Whirl Wind, 1955 (autographed copy).
• Gordon, Mack, and Harry Revel, text by Mack Gordon and Harry Revel, On A Certain Sunday, 1931.
• Grainger, Percy Aldridge, English Morris Dance Tune collected by Cecil J. Sharp and set for piano by Percy Aldridge Grainger, Country Gardens, 1919; English Morris Dance Tune collected by Cecil J. Sharp and set for piano by Percy Aldridge Grainger, Shepherd's Hey, 1911.
• Greer, Jesse, text by Tot Seymour, When The Night Is Young, 1931.
• Grey, Frank, Boots and Saddles, 1940; Cargoes Of Romance, 1941; Ice Carnival, 1931; In The Watermelon Patch, 1938; Last Year's Roses, 1921; text by Ben Gordon, Wherever You Are, 1929; text by Harriet Gaylord, Dear Eyes, 1920; text by Walter Pulitzer, Only In Dreams, 1923 (autographed copy); text by William Wood, Isles Of Tomorrow, 1939 (autographed copy).
• Griffes, Charles T., Sonata, 1921; The Vale of Dreams, 1915.
• Griffis, Elliot, Playa Laguna, n.d. (copy of a manuscript); Tunes For Two, Three, And Four Hands, n.d.
• Grossman, Bernie, Joe Goodwin, and Larry Shay, text by Bernie Grossman, Joe Goodwin, and Larry Shay, Wherever You Go-- Whatever You Do, 1926.
• Grothe, Franz, text by Carmen Lombardo (American version) and Reg Connelly (English version), There's Something In Your Eyes, 1931.
• Guion, David, W., Arkansas Traveler, 1929.
• Hamblen, Bernard, text by Bernard Hamblen, The Heaven Land, 1944 (autographed copy); text by Mary Mackenzie, God Bless Our Home, 1944.
• Handy, W.C., arranged by J. Rosamond Johnson, text by W.C. Handy, Saint Louis Blues, 1914; arranger, Shine Like A Mornin' Star, 1942 (autographed copy); The Jogo Blues, 1913; Loveless Love, 1921; The Memphis Blues (or Mister Crump) 1912 (autographed copy); Sundown Blues (Hurry Sundown And Let To-Morrow Come), 1923; text by Andy Razaf, Finis, 1940; text by Andy Razaf, Vesuvius (There's A Red Glow In The Sky Above Vesuvius), 1935 (autographed copy); text by J. Tim Brymm, Aunt Hagar's Children Blues, 1921; text by Mercedes Gilbert, Friendless Blues, 1926; text by W.C. Handy, East Saint Louis, 1937; text by W.C. Handy, The Hesitating Blues, 1915; text by W.C. Handy, Ole Miss Blues, 1920 (photocopy); text by W.C. Handy, Saint Louis Blues, 1914; transcription by "Rube" Blooms, Saint Louis Blues, 1928 (annotated); with Boogie-Woogie accompaniment by J. RussellRobinson, text by J. Russell Robinson, The Memphis Blues (or Mister Crump), 1940; Yellow Dog Blues, 1914.
• Hanson, Howard, Clog Dance, 1922 (annotated).
• Heifetz, Emanuel R., Gypsy Smoke Dreams, 1953 (autographed copy); Procession, 1953 (autographed copy).
• Hemmer, Eugene, American Miniatures, 1960 (autographed copy); Remembrance Of Things Present, 1961 (autographed copy).
• Henderson, Ray, text by B.G. De Sylva and Lew Brown, Just A Memory, 1927.
• Henderson, Rosamon, text by Frances Whatley, Desert Solitude, 1973; text by Joe Mitchell Pilcher, Ode To Alabama, 1976.
• Herreshoff, Constance Mills, text by Scudder Middleton, To The Moon, 1929.
• Heyward, Sammy, text by Langston Hughes, (Checkin' On The) Freedom Train, 1947.
• Hirsch, Walter, Gertrude Lincoff, and Louis Siefer, text by Walter Hirsch, Gertrude Lincoff, and Louis Siefer, When The Mailman Says "No-Mail Today," 1933.
• Hunter, Charles, Tickled To Death, 1899.

Box 103

• Ireland, John, Bergomask, 1925 (annotated); The Island Spell, 1915 (annotated).
• Jackson, Howard, Jazz Prayer, 1936 (copy of manuscript and autographed copy).
• Jackson, J. Calvin, Cocktail At Ciro's, 1944.
• Johnson, Hall, arranger, The Green Pastures Spirituals, 1930; text by Hall Johnson, Sing Out, America! 1953; text by Langston Hughes, On The Dusty Road, 1947.
• Johnson, James P., Piano Jazzyfest, 1940; text by Flournoy E. Miller, You Can't Lose A Broken Heart, 1949.
• Kahn, Gus, Harry Akst, and Richard A. Whiting, text by Gus Kahn, Harry Akst, and Richard A. Whiting, Those Lonesome Nights, 1931.
• Kaufman, Louis, transcription of a Swedish folk song, Oh! Fairest Varmland, 1956 (autographed copy).
• Kimbrough, La Verna E., text by Agnes Friel, My Co-Ed, 1929.
• King, Robert A., text by Marvin Lee, Rocky Mountain Lullaby, 1931.
• Kinsey, Mary Tierney, Castilian Nights, 1932.
• Kippax, Major M., text by Major M. Kippax, Jesus Of Nazareth, Come, 1951.
• Klohr, John N., Ma, Mobile Babe, 1899.
• Kluchansky, Anna M., text by Anna M. Kluchansky, Waltzing With Someone You Love, 1933.
• Lehman, Evangeline, March Of The Cookie Soldiers, 1932.
• Levine, Louis, Trevor Jones, and Billy Baskette, text by Louis Levine, Trevor Jones, and Billy Baskette, Song Of The Sky Blue Sea, 1936.
• Little, George A., Joe Verges, and Larry Shay, text by George A. Little, Joe Verges, and Larry Shay, When I First Met Mary, 1926.
• Little, Little Jack, Dave Oppenheim, Ira Schuster, text by Little Jack Little, Dave Oppenheim, and Ira Schuster,Hold Me, 1933; text by Little Jack Little, Dave Oppenheim, and Ira Schuster, Let's Make Up, 1933.
• Mack, Adrian, text by Gene Stone, Stairway Of Dreams, 1928.
• Magine, Frank, text by Frank Newman, I'll See You Later In Slumberland, 1931.
• Malie, Tommy, and Jimmy Steiger, text by Tommy Malie and Jimmy Steiger, Looking At The World Thru Rose Colored Glasses, 1926.
• Manners, Dian, and Johnny Clark, text by Dian Manners and Johnny Clark, The American Legionnaire, 1961.
• Manton Robert W., text anonymous 15th century, As Dew In April, 1955; text by Robert W. Manton, Abandoned Acres, 1947 (autographed copy); text by Robert W. Manton, Sea Marge, 1926 (autographed copy); text by Robert W. Manton, Song Of Farewell, 1957.
• Marin, Frank, Tarantella, n.d. (copy of manuscript).
• Marini, F.P., and Bert Rovere, text by C. Stedman, Paris- Inn Cafe, 1932.
• Marsh, Charles H., text by Charles H. Marsh, The Miracle Of Time, 1952 (autographed copy).
• Maywood, George, text by Lester Bodine, Ambolena Snow, 1896.
• McClure, J. Clarendon, text by J. Mitchell Pilcher, The First Noel, 1963 (autographed copy from J. Mitchell Pilcher).
• McKay, George, Caricature Dance Suite, 1930 (autographed copy).
• Mencher, Murray, text by Charles Tobias and Sidney Claire, Under Your Window Tonight, 1931.
• Meroff, Benny, Wayne King, and Walter Hirsh, text by Benny Meroff, Wayne King, and Walter Hirsh, That Little Boy Of Mine, 1929.
• Meyer, Joseph, text by Benny Davis, Falling In Love With You, 1926; text by Billy Rose and Ballard MacDonald, Clap Hands! Here Comes Charley! 1925; and Bobby Buttenuth, text by Irving Caesar, To-Night's My Night With Baby, 1926.
• Miller, Bob, Wayne King, and Jack Erickson, text by Bob Miller, Wayne King, and Jack Erickson, Down By The Old Rustic Well, 1933.
• Moffitt, Etha May, text by Etha May Moffitt, In My Memories Of You, 1931.
• Monaco, James, V., text by Edgar Leslie, I'm Painting Pictures, 1931; text by Edgar Leslie and Ned Washington, Hand In Hand, 1931; text by Edgar Leslie and Ned Washington, I'm An Unemployed Sweetheart, 1931; text by Joe Young, You're Going To Lose Your Gal, 1933.
• Moore, Miltona, Melody Caprice, 1929.
• Morton, David, text by Willard Hyatt, The Light, 1973 (photocopy manuscript).
• Muir, Lewis, and Maurice Abrahams, text by L. Wolfe Gilbert, Hitchy Koo, 1912.
• Myers, Richard, text by Leo Robin, Hosanna, 1931.
• Nickerson, Camille, arranger, Dance Baby, Dance! 1942 (photocopy published score); arranger, Dear, I Love You So, 1942 (photocopy published score); arranger, Go To Sleep, 1942 (photocopy published score); arranger, Lizette My Dearest One, 1942 (photocopy published score); arranger, Mister Banjo, 1942 (photocopy published score).
• Ornstein, Leo, A La Chinoise, 1918.
• Parker, DeWitt, and Harriet Bevson, text by Haven Gillespie, In Old Mandalay, 1931.
• Pelkey, J.E., text by Alfred Lord Tennyson, The Passing Of Arthur, n.d. (copy manuscript).
• Perkins, Ray, text by Herman Ruby, Smiling Irish Eyes, 1929.
• Pilcher, M.H., text by M.H. Pilcher, Sr., Hope, 1971.
• Pollack, Lew, and George Whiting, Hiding In The Corner Of Your Smile, 1928.
• Price, Florence, In Quiet Mood, 1951; Levee Dance, 1937; text by Elizabeth Coatsworth, Song For Snow, 1934; text by Joseph Burke, Dawn's Awakening, n.d. (copy manuscript); Ticklin' Toes, 1933.

Box 104

• Regal, Art, text by Art Regal, Maybe, 1929.
• Richards, Brinley, Warblings At Eve, n.d.
• Robinson, J. Russell, text by Arthur Terker and Harry Pyle, If The Boys Come Home For Christmas, 1943; and Addy Britt, and Jack Little, text by Russell Robinson, Addy Britt, and Jack Little, Do You Believe In Dreams? 1936.
• Robison, Willard, text by "Jo" Trent, Wake Up! Chill'un, Wake Up! 1929.
• Ronell, Ann, text by Ann Ronell, Baby's Birthday Party, 1930.
• Rosas, Juventino, Over The Waves, n.d.
• Rose, Billy, and Fred Fisher, text by Billy Rose and Fred Fisher, If All The Stars Were Pretty Babies, 1926; and Harry Askt, text by Billy Rose and Harry Askt, There's A Little White House, 1926.
• Rose, Vincent, text by Jack Meskill, Were You Sincere, 1931.
• Rosenthal, Harry, text by Alfred Bryan, Tiger Eyes, 1926.
• Russell, Benee, text by Benee Russell, She Said And I Said, 1926.
• Saltzer, Warren, text by Warren Saltzer, Leona, 1929.
• Santly, Joseph H., text by Cliff Friend, Tamiami Trail, 1926.
• Scott, Cyril, Danse Negre, 1911.
• Setty, Josef, Jolita, The Senorita Waltz, and Chanson D'une Poupee, ca. 1950 (manuscript).
• Seymore and Barney, St. Louis Tickle, 1904.
• Shaw, Artie, text by Sid Robin, I Ask The Stars, 1941 (newspaper).
• Shay, Larry, text by Joe Goodwin, Tie Me To Your Apron Strings Again, 1925.
• Shepard, Ann, Gene Bogard, Steve MacCrae, and Henry Gershwin, All Aboard, 1969.
• Silver, Abner, text by Harry Richman, (I Don't Believe It- -But) Say It Again, 1926.
• Sizemore, Arthur, text by Billy Moll, Six Feet Of Papa, 1926.
• Smart, Henry, text by J. Mitchell Pilcher, Beneath Escambia Skies, 1955.
• Smith, Hale, Evocation, 1966 (autographed copy).
• Smith, Roy Lamont, Concert Etude, 1920 (autographed copy).
• Smith, Willie, Passionette, 1935.
• Snell, Dave, text by Max Lief, Under The Stars, 1932.
• Snow, J. Albert, arranger, A Plantation Medley, 1905.
• Snyder, Ted, text by Billy Rose, That Night In Araby, 1926; text by Harry B. Smith and Francis Wheeler, The Sheik Of Araby, 1921.
• Sousa, John Philip, El Capitan, 1896.
• Stone, Eddie, and Hubert W. David, Show That Fellow The Door, 1925.
• Stor, Jean, arranger, I Want Jesus To Walk With Me, 1935.
• Stothart, Herbert, text by Gus Kahn, Sweetheart Darlin', 1933.
• Straus, Oscar, text by Clifford Grey, While Hearts Are Singing, 1931.
• Suesse, Dana, text by Sammy Lerner, You're The Surest Cure For The Blues, 1931.
• Thomas, Millard, text by Leo McDonald, The Girl Behind The Guy Behind The Gun, 1942.
• Tobias, Charles, Harry Tobias, and George Bennett, I'll Have The Last Waltz With Mother, 1932.
• Turino, P.J., text by P.J. Turino, October Is A Gypsy, 1947.
• Turk, Roy, Jack Smith, and Maceo Pinkard, "Gimme" A Little Kiss Will "Ya" Huh? 1926.
• Van Hoesen, Karl D., arranger, Music Of Our Time (two volumes), 1943.
• Volpe, Arnold, Three Inventions And Eleven Fugues, 1940 (autographed copy).
• Von Tilzer, Harry, text by Andrew B. Sterling, Down Where The Cotton Blossoms Grow, 1901.
• Waller, Thomas, text by R. Stanley Adams, Take It From Me, 1931.
• Warner, Byron H., J.L. Richmond, and Charles A. Bayha, Bessie Couldn't Help It, 1925.
• Warner, Waldo, The Church In The Valley, 1935; Siesta, 1935.
• Warren, Harry, text by Edgar Leslie, By The River Sainte Marie, 1931.
• Wayne, Mabel, text by William Rose, It Happened In Monterey, 1930.
• Weddell, Johnny, text by Mabelle Francis, Painting Pretty Pictures, 1928.
• Weill, Kurt, text by Langston Hughes, A Boy Like You, 1947; text by Langston Hughes, Lonely House, 1946; text by Langston Hughes, Moon-faced, Starry-eyed, 1947; text by Langston Hughes, We'll Go Away Together, 1947; text by Langston Hughes, What Good Would The Moon Be! 1946.
• Wells, Gilbert, and Johnny Dunn, text by Gilbert Wells and Johnny Dunn, Sadie Green, The Vamp Of New Orleans, 1926.
• Wendling, Pete, text by Alfred Bryan, Usen't You Used To Be My Sweetie? 1926; text by Alfred Bryan and Willie Raskin, (I Met Her In The Moonlight But) She Keeps Me In The Dark, 1926.
• Wenrich, Percy, Chestnuts, 1906.
• White, Clarence Cameron, arranger, Bear De Burden, 1921; Kashmirian Dance, 1942 (autographed copy).
• Whithorne, Emerson, Times Square, 1922.
• Whiting, Richard A., and Howard Simon, text by Al Lewis, Sweet Child I'm Wild About You, 1925.
• Williams, Bob, transcriber, Freedom Song, 1960 (manuscript and autographed copy).
• Wolfe, Jacques, text by Clement Wood, De Glory Road, 1928.
• Woods, Harry, text by Howard Johnson, Think A Little Kindly Of Me, 1931.
• Work, John W., arranger, Glory To That New-Born King, 1935.
• York, Don, Jack Sadler, and Pauline Brown, text by Don York, Jack Sadler, and Pauline Brown, You're Tired Of Me, 1931.
• Young, Joe, text by Bernice Petkere, Starlight (Help Me Find The One I Love), 1931.

Series 3. Bibliography of sheet music (separated from the papers).

• Arensky, A., An Der Quelle, Leipzig, Bosworth and Company, n.d.
• Beethoven, Ludwig van, Bagatelle, Philadelphia: Theodore Presser, 1895.
• Beethoven, Ludwig van, Concerto For Piano In B [flat] Major, New York: G. Schirmer, 1901.
• Beethoven, Ludwig van, German Dance Number III, U.S.A.: The Boston Music Company, 1930.
• Bortkiewicz, Serge, Aus Andersens Marchen, Leipzig: Verlag D. Rahter, 1925.
• Brahms, Johannes von, Fantasien, Wien: Universal- Edition A.G., n.d.
• Brahms, Johannes von, Klavierstucke, Berlin: N. Simrock, n.d.
• Couperin, Francois, Les Petits Moulins A Vent, U.S.A: G. Schirmer, 1901.
• Debussy, Claude, Album Of Five Pieces For The Piano, Boston, Mass.: The Boston Music Company, 1914.
• Debussy, Claude, Nocturnes (transcription for 2 pianos 4 hands by Maurice Ravel), Paris: Jean Jobert, 1909.
• Debussy, Claude, Preludes, Paris: Durand Et Fils, 1910.
• Frank, Cesar, Prelude, Aria Et Final, Paris: J. Hamelle, n.d.
• Giordano, Umberto, Minuet, U.S.A.: The Boston Music Company, 1915.
• Glazounow, A., Bachanal (arranged by the composer), U.S.A.: G. Schirmer, 1913.
• Godowsky, Leopold, Alt-Wien, New York: G. Schirmer, 1920.
• Godowsky, Leopold, A Night In Spring, St. Louis: Art Publication Society, 1913.
• Grieg, Edvard, Peer Gynt-Suite I (arranged for piano by the composer), Boston: B.F. Wood Music Company, n.d.
• Haydn, Joseph, Clavierstucke, Braunschweig: Henry Litolff's Verlag, [1896].
• Henselt, Adolf, Twelve Characteristic Concert-Studies For The Piano, New York: G. Schirmer, 1902.
• Ludovic, G., Air De Ballet, Boston: Arthur P. Schmidt, n.d.
• MacDowell, Edward, Second Concerto In D Minor, New York: G. Schirmer, 1922.
• MacDowell, Edward, Sonata Tragica, New York: G. Schirmer, 1922.
• MacDowell, Edward, Woodland Sketches, New York: P.L. Jung, 1896.
• Mozart, Wolfgang Amadeus, Concerto For Piano In C Minor, U.S.A.: G. Schirmer, 1929.
• Mozart, Wolfgang Amadeus, Sonata IX, New York: G. Schirmer, 1918.
• Mozart, Wolfgang Amadeus, Sonate Und Fuge, Leipzig: C.F. Peters, n.d.
• Paderewski, I.J., Menuet, U.S.A.: G. Schirmer, 1899.
• Pick-Mangiagalli, Deux "Lunaires", Milano: G. Ricordi and Company, 1916.
• Rameau, Jean Philippe, La Poule, U.S.A.: G. Schirmer, 1901.
• Rameau, Jean Philippe, Rigaudon, transcription by Leopold Godowsky, New York: Carl Fisher, 1906.
• Ravel, Maurice, Sonatine, Paris, France: A. Durand Et Fils, 1905.
• Rubinstein, A., Cracovienne, New York: Carl Fischer, 1906.
• Scarlatti, Domenico Girolamo, Pastorale, U.S.A.: G. Schirmer, 1902.
• Scarlatti, Domenico Girolamo, Sonata No. 41, Saint Louis: Art Publication Society, 1915.
• Schumann, Robert, Symphonic Etudes, U.S.A.: G. Schirmer, 1923.
• Scriabin, A., Album Of Twelve Pieces For The Pianoforte, Boston, Mass.: The Boston Music Company, 1917.
• Scriabin, A., Deux Impromptus, Leipzig: M.P. Belaieff, 1897.
• Von Weber, Carl Maria, Rondo Brillant (La Gaiete), U.S.A.: G. Schirmer, 1893.

Series 4. Discography of phonograph records (separated from the papers).

• "ABC of the Antilles." 858 606 FPY. Fontana, no date.
• "African Tribal Music and Dances." CPST-5513. Counterpoint/Esoteric Records, no date.
• Antes, John. "Three Trios for Two Violins and Violoncello, Opus 3." Instrumental Music in Colonial America: The Moravians. MIA 99. The Society for the Preservation of the American Musical Heritage, 1959.
• Antheil, George, Elliott Carter, Paul Fetler, Kenneth Gaburo, Glenn Glasow, Russell Harris, Charles Ives, and Relly Raffman. Choral Music of the 20th Century. MIA 116. The Society for the Preservation of the American Musical Heritage, 1961.
• "Authentic Music of the American Indian." SDBR 3450/3. Everest Records, no date.
• "Ba-Benzele Pygmies." BM 30 L 2303. Baerenreiter-Musicaphon, [1965].
• "A Bailar La Cumbia--El Ritmo de Moda." CYS 1112. Caytronics Corporation, no date.
• "Bailes Nacionales: Latin-American Folk Dances." 5008/5012. Bost Records Company, no date.
• "The Baldwin-Wallace College Symphonic Band." FR3465A, FR31065B. Frank Music Corporation, no date.
• Beach, Mrs. H.A. "Symphony in E Minor, 'Gaelic.'" Instrumental Music in the 19th Century. MIA 139. The Society for the Preservation of the American Musical Heritage, 1968.
• Billings, William, and Daniel Read. "Anthems." Choral Music in Colonial America. MIA 114. The Society for the Preservation of the American Musical Heritage, 1963.
• Bird, Arthur, and Edward MacDowell. Instrumental Music in 19th-Century America. MIA 131. The Society for the Preservation of the American Musical Heritage, 1966.
• "Brazilian Piano Music." MM-692. Columbia Records, 1947.
• "Brengen U Originele Antilliaanse Muziek (2)." 007 529. Caribia, no date.
• Bristow, George Frederick. "Arcadian Symphony, 'The Pioneer,' Opus 49." Instrumental Music in 19th-Century America. MIA 135. The Society for the Preservation of the American Musical Heritage, 1967.
• Bristow, George Frederick. "Symphony in F Minor, Opus 26." Instrumental Music in the 19th Century. MIA 144. The Society for the Preservation of the American Musical Heritage, 1969.
• Bristow, George Frederick. "Symphony No. 2 in D Minor,'Jullien,' Opus 24." Instrumental Music in 19th-Century America. MIA 143. The Society for the Preservation of the American Musical Heritage, 1969.
• Bristow, George Frederick, and Charles Tomlinson Griffes. Instrumental Music in the 19th and 20th Centuries. MIA 129. The Society for the Preservation of the American Musical Heritage, 1966.
• Buck, Dudley, Louis Adolphe Coernie, Henry F. Gilbert, and John Knowles Paine. Instrumental Music in America During the 19th and 20th Centuries. MIA 141. The Society for the Preservation of the American Musical Heritage, 1968.
• "Caribbean Charm." 101. A and B Records Ltd., [1972].
• "Caribbean Island Music: Songs and Dances of Haiti, the Dominican Republic and Jamaica." H-72047. Nonesuch Records, 1972.
• Carpenter, John Alden, and Edward Burlingame Hill. Instrumental Music in 20th-Century America. MIA 142. The Society for the Preservation of the American Musical Heritage, 1969.
• Castelnuovo-Tedesco, Mario, and Joaquin Rodrigo. Hispa Vox, no date.
• Catholic Mission Music in California. MIA 96. The Society for the Preservation of the American Musical Heritage, 1959.
• Chadwick, George Whitefield. "Symphony No. 2 in B-flat, Opus 21."
• Instrumental Music in 19th-Century America. MIA 134. The Society for the Preservation of the American Musical Heritage, 1967.
• Chadwick, George Whitefield. "Symphony No. 3 in F." Instrumental Music in 19th-Century America. MIA 140. The Society for the Preservation of the American Musical Heritage, 1968.
• Chadwick, George Whitefield, and Charles Tomlinson Griffes. Instrumental Music of the 19th and 20th Centuries. MIA 104. The Society for the Preservation of the American Musical Heritage, 1959.
• Cordero, Roque. "Violin Concerto; Eight Miniatures." M 32784. Columbia Records, 1974.
• "Las Cuatro Milpas--Cancion Costena/El Jilguerillo--Son Costeno." 79237. Victor Talking Machine Company, [194-].
• "Cuban Cult Music." 131. Disc Company of America, 1947.
• Dawson, William. "Negro Folk Symphony." DL 10077. Decca Records, [1963].
• De Camp, Rosemary, and Eugene Hemmer. "Christmas Joys." CH-1011. Charade Records, 1973.
• de Leaumont, Chevalier Marie Robert, and Gaetano Franceschini. Instrumental Music in the 18th Century. MIA 113. The Society for the Preservation of the American Musical Heritage, 1963.
• Embree, Charles. "Room at the Bottom." LP 1000. Room at the Bottom Music Publishing Company, no date.
• Farwell, Arthur, and Henry F. Gilbert. Instrumental Music in the 20th Century. MIA 128. New York: The Society for the Preservation of the American Musical Heritage, 1965.
• "Folk Music of Haiti." 142. Company of America, 1947.
• Foote, Arthur William. "Selected Piano Compositions." Instrumental Music in the 19th Century. MIA 123. The Society for the Preservation of the American Musical Heritage, 1965.
• Foote, Arthur William. "Suite in D Minor for Orchestra, Opus 36." Instrumental Music of the 19th Century. MIA 122. The Society for the Preservation of the American Musical Heritage, 1963.
• Foote, Arthur. "Symphonic Prologue: Francesca da Rimini, Opus 24; Four Character Pieces After the Rubaiyat of Omar Khayyam, Opus 48." Instrumental Music in 19th-Century America. MIA 127. The Society for the Preservation of the American Musical Heritage, 1965.
• Franklin, Benjamin, Charles T. Griffes, and Sidney Lanier. Music of the 18th, 19th and 20th Centuries. MIA 117. The Society for the Preservation of the American Musical Heritage, 1965.
• Fry, William Henry, John Knowles Paine, Horatio Parker, and Frank van der Stucken. Instrumental Music in the 19th Century. MIA 132. The Society for the Preservation of the American Musical Heritage, 1966.
• Gehot, Joseph. "Six String Quartettos, Opus 1." Instrumental Music in Colonial America. MIA 125. The Society for the Preservation of the American Musical Heritage, 1965.
• Gehot, Joseph. "Six String Trios, Opus 2." Instrumental Music in Colonial America. MIA 124. The Society for the Preservation of the American Musical Heritage, 1965.
• Gehot, Joseph, John Christopher Moller, and Alexander Reinagle. Instrumental Music in Colonial America. MIA 101. The Society for the Preservation of the American Musical Heritage, [1959].
• Gilbert, L. Wolfe. "Yesterday's Hits Today." 7017. [1973].
• "The Golden Craft of Harpers." MLP 102. Teiger Productions, Inc., no date.
• Griffis, Elliot. "The Composer Plays Griffis." SR 100. Salem Records, no date.
• Griffis, Elliot. "Music of Elliot Griffis." ECM-4008. Educo, Inc., 1960.
• Griffis, Elliot. "Piano and Chamber Music by Elliot Griffis." MLR 7076. Music Library Recordings, no date.
• Gualdo (Robertson), Giovanni. "Six Sonatas for Two Flutes and Continuo." Instrumental Music in Colonial America. MIA 112. The Society for the Preservation of the American Musical Heritage, 1963.
• Hadley, Henry Kimball. "Symphony No. 2 in F Minor, 'The Four Seasons,' Opus 30." Instrumental Music in 20th-Century America. MIA 145. The Society for the Preservation of the American Musical Heritage, 1969.
• Hadley, Henry, and Horatio Parker. Instrumental Music in the 20th Century. MIA 138. The Society for the Preservation of the American Musical Heritage, 1967.
• Harrison, Lou. "Pacifika Rondo and Other Works." DC 6478.Desto Records, [1969].
• Haubiel, Charles. "Chamber Music of Charles Haubiel." ORS 74165. Orion Master Recordings, Inc., no date.
• Herbert, Victor. "Symphonic Poem: Hero and Leander, Opus 31." Instrumental Music in the 20th Century. MIA 121. The Society for the Preservation of the American Musical Heritage, 1965.
• Hewitt, James, Alexander Reinagle, and Raynor Taylor. Instrumental Music in Early America. MIA 126. The Society for the Preservation of the American Musical Heritage, 1966.
• "The History of Jazz, Vol. 2: The Turbulent 'Twenties.'" T 794. Capitol Records, Inc., 1957.
• Hively, Wells, Walter Piston, Carl Ruggles, Howard Swanson, and William Strickland. CRI SD 254. Composers Recordings, Inc., no date.
• "Hollyday in the Sun." ANT 04. West Indies Sound, no date.
• "The Holy City." LPM-1637. Camden, N.J.: RCA Victor, 1958.
• Hubay, Jeno. "Lieder and Violin Music." 1458. Hussar Records, no date.
• "In Praise of Oxala and Other Gods: Black Music of South America." H-72036. Nonesuch Records, no date.
• "Jazz of the Forties, Vol.1: Jazz at Town Hall." FJ 2841. Folkways Records and Service Corporation, 1960.
• Jester Hairston and His Chorus. MLP 6000. New York: Murbo Records, 1965.
• Johnson, James P. "Yamekraw." FJ 2842. Folkways Records andService Corporation, 1962.
• Jones, Charles, and Howard Swanson. "The Long Quest." SIL-K 5001-2. Silhouettes in Courage, Inc., 1970.
• "Kingdom of the Sun: Peru's Inca Heritage." H-72029. Nonesuch Records, no date.
• "Listening Guide for Jacksonville Symphony Young People's Concerts 1976-77 Season." NR7413. No date.
• "Lost in the Stars." CS-5117-LP. Word Records, [1968].
• Lysenko, Mykola. "The Immortal Music of Mykola Lysenko." OAM 0013. Ikar Recording Company, [1963].
• MacDowell, Edward. "First Suite for Orchestra, Opus 42; Two Fragments After The Song of Roland, Opus 30: The Saracens, and The Lovely Alda." Instrumental Music in 19th-Century America. MIA 119. The Society for the Preservation of the American Musical Heritage, 1965.
• MacDowell, Edward. "Second (Indian) Suite, Opus 48." Instrumental Music in 19th-Century America. MIA 137. The Society for the Preservation of the American Musical Heritage, 1967.
• MacDowell, Edward. "Symphonic Poem, LAMIA, Opus 29; Sea Pieces, Opus 55." Instrumental Music in America During the 19th Century. MIA 133. The Society for the Preservation of the American Musical Heritage, 1966.
• MacDowell, Edward, and John Knowles Paine. Instrumental Music in 19th-Century America. MIA 130. The Society for the Preservation of the American Musical Heritage, 1965.
• Murray, Bain, Klaus George Roy, Hale Smith, Howard Whittaker, and Raymond Wilding-White. "Cleveland Composer's Guild--Vol. 1--Choral and Vocal Works." CRI 182SD. Composer's Recordings, Inc., [1962].
• "Music at Grambling College." 32M-95641/42. Recorded Publications Company, [196-].
• "Music from Rwanda." BM 30 L 2302. Baerenreiter-Musicaphon, [1964].
• "Music of Africa Series, No. 10: Best Recordings of 1953, Part 1." LD 9221. London, [1953].
• "Music of Africa Series, No. 11: Best Recordings of 1953, Part 2." LD 9222. London, [1953].
• "The Music of the Dan." BM 30 L 2301. Baerenreiter-Musicaphon, no date.
• "Music of the Sioux and the Navajo." P401. Folkways Records andService Corporation, 1949.
• "La Musique--Langage Universel II." Extraits du repertoire d'operas de la Deutsche Grammophon Gesellschaft. 53 257/58. Deutesche Grammophon Gesellschaft, [1956].
• "Natay--Navajo Singer." C-6160. Arizona Recording Productions, 1951.
• Pachelbel, Charles Theodore, and Leroy J. Robertson. Choral Music of the 18th and 20th Centuries. MIA 111. The Society for the Preservation of the American Musical Heritage, 1959.
• Paine, John Knowles. "Symphony No. 1 in C Minor." Instrumental Music of the 19th Century. MIA 103. The Society for the Preservation of the American Musical Heritage: 1959.
• Paine, John Knowles. "Symphony No. 2 in A, Opus 34." Instrumental Music in the 19th Century. MIA 120. The Society for the Preservation of the American Musical Heritage, 1965.
• Peter, John Frederick. "Quintets No. 1 in D Major, No. 2 in A Major, and No. 3 in G Major." Instrumental Music in Colonial America: The Moravians. MIA 105. The Society for the Preservation of the American Musical Heritage, 1959.
• Peter, John Frederick. "Quintets No. 4 in C Major, No. 5 in E-flat Major, and No. 5 in B-flat Major." Instrumental Music in Colonial America: The Moravians. MIA 106. The Society for the Preservation of the American Musical Heritage, 1959.
• "Peyote Ceremony Songs." Morning Water Song; Sunrise Song. ARP 148. Canyon, no date.
• "Rites of the Pagan: Mystic Realm of the Ancient Americas." GNP 601. Gene Norman Presents, no date.
• Robertson, Leroy. "String Quartet in E Minor; American Serenade (String Quartet)." Instrumental Music of the 20th Century. MIA 115. The Society for the Preservation of the American Musical Heritage, 1961.
• Saint-Georges, Chevalier de. "Symphonie Concertante; Symphony No. 1; Scena from 'Ernestine'; String Quartet No. 1." M 32781. Columbia Records, 1974.
• "A Song Recital by Mattiwilda Dobbs and Gerald Moore." ANG 35094. Angel Records, no date.
• "Songs of Israel." H-6003, H-6005, H-6007. Asch Records, no date.
• "The Soul of Mbira: Traditions of the Shona People of Rhodesia." H-72054. Nonesuch Records, 1973.
• Still, William Grant. "Afro-American Symphony." Instrumental Music of the 20th Century. MIA 118. The Society for the Preservation of the American Musical Heritage, 196-.
• Still, William Grant. "Ennanga for Harp, Piano and Strings; Songs of Separation; Danzas de Panama." ORS 7278. Orion Records, 1972.
• Still, William Grant. ["Music for Violin and Piano"]. ORS 7152. Orion, no date. [Includes "Pastorella"; "Blues" (arr. Kaufman); "Carmela"; "Here's One" (arr. Kaufman); "Suite for Violin and Piano"; "Summerland."]
• Still, William Grant. "Richard Fields Plays Piano Music of William Grant Still." ORS 82442. Orion Master Recordings, Inc., [1982]. [Includes "Kaintuck'"; "Quit Dat Foolnish"; "The Bells"; "Three Visions."]
• Still, William Grant. "William Grant Still Conducts William Grant Still." GL-8011. Glendale, 1984. [Includes "Lenox Avenue"; "La Guiablesse"; "Entrance of Les Porteuse"; "Symphony in G Minor": 2nd and 3rd movements.]
• Still, William Grant, and Camargo Guarnieri. MG50257. Mercury, no date. ["Sahdji" by William Grant Still.]
• Still, William Grant, and Ulysses Kay. "Orchestral Works." TV-S 34546. Vox Turnabout, 1974. ["From the Black Belt," and "Darker America" by William Grant Still.]
• Still, William Grant, Arthur Cohn, Alan Hovhaness, Bernard Rogers,and Roy Travis. "Lipkin Conducts." CRI SD 259. Composers Recordings, Inc., [1970]. ["Festive Overture" by William Grant Still.]
• Still, William Grant, Fela Sowande, and George Walker. "Black Composers Series, Vol. 7." M 33433. Columbia Records, 1975. ["Sahdji" by William Grant Still.]
• Still, William Grant, Leslie Adams, David Baker, Jr., Robert Owens, Florence B. Price, and John Work. "Art Songs by Black American Composers." SM0015. The University of Michigan Records, 1981. ["Grief" by William Grant Still.]
• Still, William Grant, Samuel Coleridge-Taylor, Roque Cordero, Ulysses Kay, Chevalier de Saint-Georges, and George Walker. M 32783. Columbia Records, 1974. ["Afro-American Symphony" and selections from "Highway I, U.S.A." by William Grant Still.]
• Still, William Grant, Stephen A. Chambers, Arthur Cunningham, R. Nathaniel Dett, Smith Hale, Thomas H. Kerr, George Walker, Olley Wilson, and John W. Work. "Natalie Hinderas Plays Music by Black Composers." DC- 7102/3. Desto Records, [1970]. ["Three Visions" by William Grant Still.]
• Still, William Grant, Stephen A. Chambers, Arthur Cunningham, William Dawson, William Fischer, and Ulysses Kay. "The Black Composer in America." DC7107. Desto Records, no date. ["Songs of Separation" by William Grant Still.]
• Still, William Grant, Vincent Persichetti, William Schmidt, and Randall Thompson. "Oboist Peter Christ with the Crystal Chamber Soloists." S 321. Crystal Record Company, 1979. ["Miniatures for Flute, Oboe, and Piano" by William Grant Still.]
• Streepey, John. "Scimitar Street March." Beals Recording Service, no date.
• Strong, George Templeton. "Second Symphony (SINTRAM), Opus 50." Instrumental Music in 19th-Century America. MIA 136. The Society for the Preservation of the American Musical Heritage, 1967.
• Strong, George Templeton. "Second Symphony (SINTRAM), Opus 50." Instrumental Music in 19th-Century America. MIA 136. The Society for the Preservation of the American Musical Heritage, 1968.
• Swift, Kay. "Paris '90." ML 4619. Columbia Records, [1952].
• Swift, Kay. "Theme and Variations for Cello and Piano." Dick Charles Recording, no date.
• "Taos Indian Songs." TRP 1. Taos Recordings and Publications, no date.
• "Tarantas/Cartageneras." 81899. Victor Talking Machine Company, [194-].
• "Three Rituals." 1043. Cook Laboratories, no date.
• "Traditional Music of Peru." FE 4456. Folkways Records, no date.
• Varese, Edgard. "Offrandes; Integrales; Octandre; Ecuatorial." H-71269. Nonesuch Records, 1972.
• "Voice of the Xtabay." L 244. Capitol Records, Inc., [194-].
• Waldo, Elisabeth. "Realm of the Incas: An Original Suite for Orchestra and Voices." GNP 603. Gene Norman Presents, no date.
• "Yonder Come Day: A Program of Afro-American Spirituals." SON 116341/42. United Methodist Communications, no date.

Series 5. Audio tapes. Boxes 105- 125.